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Charlotte Brontë’s impassioned novel is the love story of Jane Eyre, a plain yet spirited governess, and her employer, the arrogant, brooding Mr. Rochester. Published in 1847 under the pseudonym Currer Bell, the book heralded a new kind of heroine—one whose virtuous integrity, keen intellect, and tireless perseverance broke through class barriers to win equal stature with the man she loved. Hailed by William Makepeace Thackeray as “the masterwork of a great genius,” Jane Eyre is still regarded, over a century later, as one of the finest novels in English literature.
- Sales Rank: #32013 in Books
- Color: Red
- Brand: Bantam Classics
- Published on: 1983-10-01
- Released on: 1983-09-01
- Original language: English
- Number of items: 1
- Dimensions: 6.86" h x .87" w x 4.14" l, .50 pounds
- Binding: Paperback
- 492 pages
Features
From the Back Cover
An orphan who endures a harsh childhood, Jane Eyre becomes governess at Thornfield Hall in the employment of the mysterious Mr. Rochester. Jane's moral pilgrimage and the maturity of Charlotte Bronte's characterization are celebrated aspects of the novel, as is its imagery and narrative power. Rapidly reprinted following its first publication in 1847, Jane Eyre still enjoys huge popularity as one of the finest novels in the English language.
About the Author
Emily Jane Brontë was the most solitary member of a unique, tightly-knit, English provincial family. Born in 1818, she shared the parsonage of the town of Haworth, Yorkshire, with her older sister, Charlotte, her brother, Branwell, her younger sister, Anne, and her father, The Reverend Patrick Brontë. All five were poets and writers; all but Branwell would publish at least one book.
Fantasy was the Brontë children’s one relief from the rigors of religion and the bleakness of life in an impoverished region. They invented a series of imaginary kingdoms and constructed a whole library of journals, stories, poems, and plays around their inhabitants. Emily’s special province was a kingdom she called Gondal, whose romantic heroes and exiles owed much to the poems of Byron.
Brief stays at several boarding schools were the sum of her experiences outside Haworth until 1842, when she entered a school in Brussels with her sister Charlotte. After a year of study and teaching there, they felt qualified to announce the opening of a school in their own home, but could not attract a single pupil.
In 1845 Charlotte Brontë came across a manuscript volume of her sister’s poems. She knew at once, she later wrote, that they were “not at all like poetry women generally write…they had a peculiar music–wild, melancholy, and elevating.” At her sister’s urging, Emily’s poems, along with Anne’s and Charlotte’s, were published pseudonymously in 1846. An almost complete silence greeted this volume, but the three sisters, buoyed by the fact of publication, immediately began to write novels. Emily’s effort was Wuthering Heights; appearing in 1847 it was treated at first as a lesser work by Charlotte, whose Jane Eyre had already been published to great acclaim. Emily Brontë’s name did not emerge from behind her pseudonym of Ellis Bell until the second edition of her novel appeared in 1850.
In the meantime, tragedy had struck the Brontë family. In September of 1848 Branwell had succumbed to a life of dissipation. By December, after a brief illness, Emily too was dead; her sister Anne would die the next year. Wuthering Heights, Emily’s only novel, was just beginning to be understood as the wild and singular work of genius that it is. “Stronger than a man,” wrote Charlotte, “Simpler than a child, her nature stood alone.”
Review
"At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Brontë."—Virginia Woolf
Most helpful customer reviews
233 of 256 people found the following review helpful.
The only edition to buy
By Joseph Guyer
This review is aimed more toward the Norton edition than to JANE EYRE. We all know this is a classic. Bronte was simply a genius and a harbinger of romantic, dramatic, gothic, and horror writing. (However, it still irks me that she couldn't end a simple sentence with a period. Every declarative statement, it seems, must be qualified with a colon or semi-colon. Oh well. Sign of the times.)
As for the Norton edition, it's the only one to buy. Bronte makes the assumption that you have read the Bible cover-to-cover a zillion times, and for those of us who have not read it through once, Norton's annotations are more than helpful---they're essential to understanding the novel's Christian allusions. This edition also provides the reader with critical essays, contexts of Bronte's life, Bronte's reactions to critics of her day, etc.
Bottom line: you can get the Dover Thrift edition for a couple bucks, but, if you are interested in giving this classic more than a cursory read, this edition is worth the extra money.
212 of 237 people found the following review helpful.
wuthering heights editions
By Jordi Vilalta Lopez
Rather than delve on the contents of this strangest and strongest of English novels, so intensely poetic in its haunting darkness and otherness, I'll comment briefly on the best editions available for a good first contact:
A) Text oriented editions (that is, editions with few materials added: normally an Introduction, annotation, and perhaps Charlotte's Peface and Biographical Notice and some bibliographical indications).
1. Oxford World's Classics: authoritative text, good annotation,
excellent introduction.
2. Penguin's Classics: same as above, everything looks a little shorter but is excellent nonetheless.
3. Wordsworth Classics edition. This would be a rather fine edition as befitting this collection, if it had a good 1847 text and not the heavily tampered-with Charlotte's 1850 edition. The text itself reflects accurately that of the 1900 Haworth Edition -a careful one-. The wording changes aren't perhaps so worrying nor is the toning-down of the dialectal tirades -although funny and useless-. What is worrying is the disappearance of more than six hundred paragrapph entries (I mean just the paragraphing, not the contents itself!), that makes for a different -and worse- reading experience. Very good and full -if brief- annotation. Mass-market, glued paperback.
4. Heather Glen's for Routledge. One of the finest text-oriented editions, especially for the excellent Introduction and Epilogue together with its good annotation, out-of-print for rather obscure reasons. If you find still a very good to fine copy at amazon Canadian branch (or at abebooks.com, it would be a good buy.
5. Orchises two-volume facsimile reprint of the 1847 edition. No notes nor any additional material. the books are well produced if a little expensive. Very interesting item, but only suitable for textual scholars or would-be scholars, or otherwise for fetish-oriented WH-maniacs.
B) Study-oriented editions (i.e. editions that contain additional contextual information: early reviews, selection of Emily's poems, critical essays, chronologies of the novel or of the Bronte family...).
6. Norton's Fourth Edition (current item): OK, the text is still a little idiosyncratic, but the notes are much improved, and so is everything else (with the anthology of poems, and the critical essays). A very fine study edition but also suitable for a first contact, although annotation is still on the scarce side. Good paperback production without flaps but signature-sewn (or so it seems) and good paper and printing quality (albeit with a rather small type).
7. Broadview edition by Beth Newman: it's one of the best study editions overall. There are some minor textual foibles and the annotation is decidedly scanty (to make amends for Heywood excesses) but good and accurate, and both Prof. Newman ecellent Introduction and the selection of the additional contextual material is, arguably, the finest ever (including the very interesting document on "Brain fever"). Materially speaking, it is a good paperback without flaps with good paper and printing quality (like Norton Critical, although I can't ascertain without tearing apart my copy of Beth Newman's that it be signature-sewn instead of glue-only "perfect binding). In any case a very good buy.
7. Alison Booth's for Longman Cultural. Other of the very best study editions available. The text is deadly acuurate -except for some 1850 unobtrusive detail- on the
Clarendon 1976 reference critical edition, although the punctuation -like Norton Critical, Broadview's Newman and Oneworld's one- has been silently lightened and modernized throughout. It looks like glue-only "perfect binding" paperback, but perhaps it is signature-sewn. Paper and printing quality are good enough. The only misgiving I have is the overdone fragmentation of contextual material (good and relevant material though it is): there are 40+ items, many of them very short or they wouldn't fit into 430 pages. One of the best possible buys.
8. Onewold's Classics edition. A fine paperback edition with flaps, very good paper and printing quality and (I rather surmise than know for sure) signature-sewn. The text looks like 1847 in paragraphing but it takes in too
many of 1850 "improvements" and is wrong at some places: it's short of a disaster, but rather non-reliable (in spite of the well-meant efforts by the almost anonymous editing panel who perpetrated it). Annotation is good and comprehensive enough, but the contextual material is rather scanty and run-of-the-mill non-commital.
9. Barnes&Noble's Tatiana Holway edition (hardcover). To say it promptly the only fault with this lovely edition (but, as stated above in wordsworth Classics edition, a really big fault) is its accurate and reliable 1850 Haworth Edition text. Other than this, it looks as a popularly oriented edition, but with quality marks. The Introduction by Daphne Merkin is good enough, the annotation by Holway is really excellent. Supplementary material is very scanty: the "Charlotte's prefatory materials" of 1850 (prefixed to the text, which is a pity), and some comments about film and TV adaptations as well as some chosen excerpts of reviews. Material production is outstanding: nice hardcover with dust jacket, good paper and printing quality, the only good available edition in a becoming format (Clarendon Edition is very hard to come by nowadays: say one to three years to pin it down). Don't forget the Franklin Mint editions of the sixties and seventies if you are interested in a very beautiful book with a reliable 1847 text and illustrations by Alan Reingold (and nothing else).
411 of 471 people found the following review helpful.
Do not miss out on this book...
By KayBee
You know all those 'classic' novels you read in high school? How many of them do you actually remember? Well, if Jane Eyre was one of those long-forgotten books, pick up a copy. To read it as an adult is a joy: it's a sweeping, disturbing, intense, thrilling, very romantic gothic love story, written in the voice of a very intense, almost claustrophobically self-aware young heroine. Jane is no Ophelia - she's a complicated, remarkable character, and a very strong female character in a genre that usually draws women as beautiful victims at best.
There's something for everyone in this book: Windswept castles, difficult and neurotic family members, dark secrets about tragic former lovers, good triumphing over evil, all that good juicy stuff that makes a great romantic story. What elevates Jane Eyre is Bronte's remarkable style & skill and her sharp and complex characterizations.
Trust me on this: If you don't remember it from your teens, you should give it a try now. Here is one novel that more than lives up to it's 'classic' status.
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