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Spock must play a dangerous game when an outside factor threatens the sovereignty of the Federation and the life of Captain James T. Kirk. Reissue.
- Sales Rank: #315836 in Books
- Published on: 1984-04-01
- Released on: 1984-04-01
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 4.25" w x .50" l,
- Binding: Mass Market Paperback
- 182 pages
Most helpful customer reviews
13 of 14 people found the following review helpful.
that which makes love possible...
By A Customer
This is one of the very best of the Star Trek novels - (along with, say, Strangers from the Sky, or Best Destiny) full of action, full of tossed-off references that will delight longtime fans, full of rapid-fire dialogue, and best of all, totally LACKING the smothering homogeneity that seems de rigeur for all brands of Star Trek novels today (i.e. it was written pre-franchise, when writers didn't have to memorize and regurgitate a 400-page "bible" of do's and don't's). The villain of the piece, Omne, has developed a variation on the transporter that exactly duplicates its subjects, hence the title's allusion to the phoenix. The price comes from the book's best piece of dialogue, when Omne is defiantly told by our heroes (including the Romulan Commander from "The Enterprise Incident"): "We will not sell that which makes love possible" - that is, the uniqueness of the one who's loved. That's a bit profound a sentiment for a Star Trek novel, and this book's sequel, "The Fate of the Phoenix," is very nearly as good and twice as long...
12 of 13 people found the following review helpful.
Spock must play a dangerous game to save his friend Jim.
By A Customer
After the death of Captain James T. Kirk, Spock goes down to the planet of the, so he believes, murder of his friend. We re-encounter the romulan Commander of the original series. We see here a Spock out of control and can only start to understand the frienship between the Captain and his first officer. It's very dark but very captivating. You don't want to put it down until you at the end.
13 of 16 people found the following review helpful.
Pricing the Phoenix
By Shawn Weaver
The fourth of the original Star Trek novels, this was part of the attempt by Bantam to step up publication of Star Trek-related material, with interest increasing in the syndicated reruns and word of a new TV show/movie becoming a hot topic. Already the editors on a book of short stories, the authors tried their hand at a book-length adventure. Reportedly, this was planned as a short story for the "New Voyages" book, but turned into a longer story. It would probably have been better at short story length. As the book opens, Captain Kirk is dead. He has been killed through the machinations of the leader of a planet peopled mostly by political and other refugees, and the man named Omne has caused Kirk to be at the scene of a burning building, and the Captain has sacrificed himself to save a mother and baby. Spock, livid at the turn of events, returns to the planet to confront Omne, and finds that there is a surprise: Omne has created a process to clone bodies, and also to snatch away a person's conciousness at the moment of death: he has created a duplicate Kirk! The plot comes to a showdown between Omne, Spock, Kirk, and the female Romulan commander. Omne is defeated, but there is doubt that he is really beaten, later turned into a sequel, "The Fate of the Phoenix." The writing is at turns interesting and tedious. The book is melodrama, and has a tendency to switch between fast-paced fight scenes and long conversational pieces, usually with one or more hostages in Omne's custody to attempt to heighten the tension. The melodrama also results from the authors' tendency to cast Spock as a superhero, with Kirk in the Lois Lane role of damsel-in-distress. Much is made of "Vulcanoid strength," and superhuman abilities. The long conversational scenes tend to take on a Jungian tone, with the characters in the guise of archetypes. Spock in particular gets his character rewritten to fit the authors' impressions, and the Kirk here often feels unfamiliar as well. It plays something like many of the third-season episodes, where Spock had some kind of emotional outburst on every other show to heighten the dramatic tension, since he was acting against Vulcan type. It might work once, but regularly it gets tiresome as it does here. For all that, the story is gripping, as good melodrama always is. One does wonder how this can be resolved, and even though the conclusion is somewhat unsatisfactory, it does wrap up the plot and leave loose ends to ponder. There is much sound and fury here, but not much is signified. If you want to see an early version of a Trek novel, see if you can get this one cheap. It's a summer beach type of book, throwaway entertainment.
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