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This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.
A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.
The enduring delight of this tale of romantic intrigue is rooted in Forster’s colorful characters, including outrageous spinsters, pompous clergymen, and outspoken patriots. Written in 1908, A Room with a View is one of E. M. Forster’s earliest and most celebrated works.
- Sales Rank: #194638 in Books
- Brand: Forster, E. M.
- Published on: 1988-08-01
- Released on: 1988-07-01
- Original language: English
- Number of items: 1
- Dimensions: 6.87" h x .52" w x 4.16" l, .26 pounds
- Binding: Mass Market Paperback
- 240 pages
Review
* Juliet Stevenson's narration is perfect...Forster couldn't be better served. The Oldie * Lucy's world comes to life through Juliet Stevenson's narration. Audiofile Magazine * Juliet Stevenson's reading is as perfect as expected from such a renowned actress. New Books Magazine
From the Publisher
This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. The enduring delight of this tale of romantic intrigue is rooted in Forster's colorful characters, including outrageous spinsters, pompous clergymen and outspoken patriots. Written in 1908, A Room With A View is one of E.M. Forster's earliest and most celebrated works.
From the Inside Flap
This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. The enduring delight of this tale of romantic intrigue is rooted in Forster's colorful characters, including outrageous spinsters, pompous clergymen and outspoken patriots. Written in 1908, "A Room With A View is one of E.M. Forster's earliest and most celebrated works.
Most helpful customer reviews
112 of 119 people found the following review helpful.
A Book With a Heart
By oh_pete
A ROOM WITH A VIEW depicts a young Englishwoman's adventure trying to come to grips with the conflict between her desires and society's expectations. Lucy Honeychurch is a well-bred young middle class girl on holiday in radiant Florence. She comes from a family overconcerned with respectability and is therefore overprotected by a dessicated spinster named Charlotte Bartlett. One wonders if Forster had in mind a more famous Charlotte B. when he drew Lucy's protector, a woman "much discomfited by [any] unpleasant scene[s]." Forster playfully tosses barbs at this don't-let-the-servants-hear-you world the English try to maintain on foreign soil. Less playful with sanctimonious Puritans or hypocritical clergymen, Forster lets them foil themselves.
Under no circumstances will Miss Bartlett allow Lucy to pursue (or even examine) her affection for the handsome young George Emerson--his father is far too unconventional with his modern notions about honesty and freethinking. Duty must reign . . . mustn't it? Ah, that wild transitional phase between the late-Victorians and the early-Moderns!
Forster writes gently and calmly, but with a passion for life and love welling up beneath the surface. A ROOM WITH A VIEW is a lovely book, vital with the force of a sensitive and empathetic mind. There's even more to this book than it seems--highly recommended!
36 of 37 people found the following review helpful.
A Personal Awakening a Century Ago - Still a Valid Lesson
By Ford Ka
This charming little novel which has recently celebrated its centennary can be easily put down as a period piece. E M Forster foresaw it already in his note which he added to commemorate the 50th anniversary of the first edition. Yet a prospective reader would be most wrong to disregard it. There is a lesson here which still needs to be learned by many.
The title gives away some of the content - the main heroine, Lucy Honeychurch, needs to get away from the stuffy atmosphere of late Victorian England in which she was brought up - the symbol of which is for EMF the room. Her escape takes place in stages - the first of them is her trip to Italy where she finds landscapes and people most different from those she was accustomed to. It is also there that she meets the man she falls in love with, George Emerson. Yet these changes come too quickly for her. Lucy yields to the demands of her chaperone and escapes back to England, finding on the way a more appropriate suitor, Cecil Vyse.
When the three young people meet again in England, a fight for Lucy's soul begins anew. Lucy has to decide whether she prefers Cecil who will keep her under his protection in his house as a work of art for others to admire, or George with whom she will have to face the challenges of the world but be free.
What is the lesson for us today in a world where there are neither chaperones nor stage-coaches? We also must make similar decisions - choose freedom which always comes at a cost or safety for which we must pay with our soul. We choose between being true to ourselves or satisfying the demands of others. Lucy's adventures may serve as a perfect food for thought for those facing seemingly dissimilar but actually very similar decisions. It is the more valuable as Forster does not show easy decisions or easy solutions. The happy ending never comes free and yet still it is worth striving for.
0 of 0 people found the following review helpful.
"But are they the right sort of peo..." zzzz
By Rachel Hillen
I should start out by saying I am NOT a fan of Jane Austen or the whole "comedy of manners" oeuvre. The only book in that genre that I've ever really liked is The House of Mirth by Edith Wharton which takes a decidedly darker turn than Austen or Forster. Needless to say that this book, while only about 150 pages long felt like a slog through a War and Peace sized book. But instead of the Napoleonic wars, I got some silly girl's search for a husband.
I think my main complaint about this book is that I just couldn't be bothered to care about any of the main characters. The ones that weren't downright awful were shallowly written. Our protagonist, Lucy Honeychurch, was raised to be a proper girl with a proper husband but seems to long for something more and sees beauty and things that aren't conventionally beautiful. That's nice but we don't get anything beyond that. Her love interest, George Emerson is a middle class (gasp!) young man who seems sad and feels out of place in society. I suppose it's a spoiler to say they both find their way to each other in the end despite the relatively minor obstacles put in their way but it seems pretty obvious from the beginning that the book was heading there.
Perhaps if you're into a more Austen-y type read, this is a book for you but it was definitely not my Edwardian cup of tea.
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