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House of Mirth,the, by Edith Wharton
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The House of Mirth is a novel by Edith Wharton, and Wharton's first important work of fiction. Although The House of Mirth is written in the style of a novel of manners, set against the backdrop of the 1890s New York ruling class, it is a text considered to be part of American literary Naturalism. Wharton places her tragic heroine, Lily Bart, in a society that she describes as a "hot-house of traditions and conventions." The House of Mirth tells the story of Lily Bart, a woman who is torn between her desire for luxurious living and a relationship based on mutual respect and love. In 1998, the Modern Library ranked The House of Mirth #69 on its list of the 100 best English-language novels of the 20th century. Contents: The House of Mirth A Brief Biography of Edith Wharton About "The House of Mirth"
- Sales Rank: #6317742 in Books
- Published on: 1984-02-01
- Released on: 1984-02-01
- Original language: English
- Binding: Mass Market Paperback
Amazon.com Review
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.
One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.
Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak
From Library Journal
Wharton's account of the ill-fated life of Lily Bart receives a perfunctory treatment in this audio program. It is New York in the early 20th century; Lily loves Lawrence Selden, but he sees her as a fortune hunter, with tragic consequences. The author excels at delineating the ways money, romance, and social standing intertwine in the society of the time. Included is a lengthy introduction by Wharton biographer R.W.B. Lewis that sets the work in the context of the writer's life and career. Casual listeners may consider the preface too long and scholarly, and those coming to the novel for the first time may be put off by learning the outcome and by hearing Lewis's uncertainty about whether it is a masterpiece. Anna Fields handles the narration adequately but strains to create masculine voices and makes most of the women too flighty. As a result, the characters seem more trivial than Wharton intended. Not recommended. Michael Adams, CUNY Graduate Ctr.
Copyright 2001 Reed Business Information, Inc.
Review
With an introduction by Elizabeth Hardwick,
Contemporary Reviews, and Letters
Between Edith Wharton and Her Publisher
" A frivolous society can acquire dramatic significance only through what its frivolity destroys."--Edith Wharton
Lily Bart knows that she must marry--her expensive tastes and mounting debts demand it--and, at twenty-nine, she has every artful wile at her disposal to secure that end. But attached as she is to the social world of her wealthy suitors, something in her rebels against the insipid men whom circumstances compel her to charm.
"Why must a girl pay so dearly for her least escape," Lily muses as she contemplates the prospect of being bored all afternoon by Percy Grice, dull but undeniably rich, "on the bare chance that he might ulti-
mately do her the honor of boring her for life?" Lily is distracted from her prey by the arrival of Lawrence Selden, handsome, quick-witted, and penniless. A runaway bestseller on publication in 1905, The House of Mirth is a brilliant romantic novel of manners, the book that established Edith Wharton as one of America's greatest novelists.
" A tragedy of our modern life, in which the relentlessness of what men used to call Fate and esteem, in their ignorance, a power beyond their control, is as vividly set forth as ever it was by Aeschylus or Shakespeare." --The New York Times
Edith Wharton (1862-1937) was awarded the Pulitzer Prize in
1920 for The Age of Innocence. But it was the publication of The House of Mirth in 1905 that marked Wharton's coming-of-age as a writer.
"From the Trade Paperback edition."
Most helpful customer reviews
1 of 1 people found the following review helpful.
Edith Wharton was brilliant
By Marla Johnson
House of Mirth, by Edith Wharton, was a fantastic read. From the moment I read the first sentence to the very last page, I was captivated by Lily Bart' s life. At first, Wharton' s writing style reminded me of one of my favorite authors, Jane Austen. I have been a long time fan of Austen' s, so to equate another author to her is a great praise in my eyes. N ow that I've finished the novel, I believe Wharton is in a category all her own. She is refreshing to read and has a great balance between dialogue and text. Although I liked Lily from the very beginning, I absolutely loved her by the end. There were times when her story was endearing, and other times when it was completely heartbreaking. In both instances, Wharton draws the reader into Lily' s life.
While this is not my usual cup of tea, I greatly enjoyed reading it, and suggest it to anyone who loves a thought-provoking story.
0 of 0 people found the following review helpful.
... read this for my book club and I did enjoy the story but I don't care for Edith Wharton's ...
By DeCeLaw
I read this for my book club and I did enjoy the story but I don't care for Edith Wharton's style of writing as she is too detailed and describes the flowers and gardens and what someone is wearing in detail and it is just my taste. The book I got from the library was old and the print was very small and the contractions such as "couldn't" had a space and would appear as could n 't and it made it even more difficult to read. Once I got my Kindle version I actually was able to read the book faster and did finish it which I doubt that I would have done if I had stuck to the library book. he other thing I didn't like about the book was that it was difficult to keep characters straight because sometimes they were referred to by their first names, sometimes by their first and last names, sometimes by Miss, Mrs., or Mr. and last name and then sometimes the women who were married were referred to as Mrs., their husband's first and last name such as Mrs. John Doe.
0 of 0 people found the following review helpful.
Old New York's pomp viewed with a sharp discerning eye
By Linda Linguvic
Written in 1905, this novel brought me into the world of New York society at that time. Edith Wharton lived in this world and her writing dissected its pomp with a sharp discerning eye. The people she writes about own country houses where the party never stops. They travel abroad for months at a time. Their clothes are of the finest quality. And the only possible career for a woman is to marry a rich man.
We first meet Lily Bart at the age of 29. She has been trained from childhood in all the social graces. Unfortunately for her though, her father lost all his money when she was 12 years old and both her parents died soon after that. As she was beautiful, she assumed that her looks, quick wit and personality would attract a wealthy husband, and, indeed she did attract them. But in her youth she turned down several suitors and was now aware that time was no longer on her side; she needed to marry before she lost her looks.
She has her eyes set on Percy Gryce, a dull man who will be at a party in a country home and she flirts in such a way that he is soon smitten. He is desirable for his money but he bores her to death. But this romance never works out.
There is another man of course. His name is Lawrence Selden. He is a lawyer and lives a nice life but doesn't have the wealth she thinks she requires. They become friends and it is clear to the reader that they are in love. She still keeps looking for a wealthy man though and makes one mistake after another. Even though she remains chaste, she gets into some compromising situations. There is a lot of gossip and her rich women friends either turn on her or drop her.
Her prospects get dimmer and dimmer and she even considers marrying a rich Jewish man who she had once turned down, but even he rejects her. At one point Lawrence Selden tries to help her but she rejects him too. She's penniless and has no prospects. She is living in a boarding house and trying to work in a milliner's shop but even the spangles she sews on the hats are crooked and she soon loses that job. This novel ends in tragedy.
Lily Bart is a great character. She symbolizes the reality of New York society. She also is very human and deeply flawed and even though there were times she annoyed me tremendously, I could also sympathize with her. As a New Yorker myself, I enjoyed the setting as I am very familiar with the streets and the history. This is a really fine book.
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