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Hamlet
One of the most famous plays of all time, the compelling tragedy of the young prince of Denmark who must reconcile his longing for oblivion with his duty to avenge his father’s murder is one of Shakespeare’s greatest works. The ghost, Ophelia’s death and burial, the play within a play, and the breathtaking swordplay are just some of the elements that make Hamlet a masterpiece of the theater.
Othello
This great tragedy of unsurpassed intensity and emotion is played out against Renaissance splendor. The doomed marriage of Desdemona to the Moor Othello is the focus of a storm of tension, incited by the consummately evil villain Iago, that culminates in one of the most deeply moving scenes in theatrical history.
King Lear
Here is the famous and moving tragedy of a king who foolishly divides his kingdom between his two wicked daughters and estranges himself from the young daughter who loves him–a theatrical spectacle of outstanding proportions.
Macbeth
No dramatist has ever seen with more frightening clarity into the heart and mind of a murderer than has Shakespeare in this brilliant and bloody tragedy of evil. Taunted into asserting his “masculinity” by his ambitious wife, Macbeth chooses to embrace the Weird Sisters’ prophecy and kill his king–and thus, seals his own doom.
Each Edition Includes:
• Comprehensive explanatory notes
• Vivid introductions and the most up-to-date scholarship
• Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
• Completely updated, detailed bibliographies and performance histories
• An interpretive essay on film adaptations of the play, along with an extensive filmography
- Sales Rank: #764095 in Books
- Brand: Bantam Classics
- Published on: 1988-01-01
- Released on: 1988-01-01
- Original language: English
- Number of items: 1
- Dimensions: 6.91" h x 1.60" w x 4.19" l, 1.01 pounds
- Binding: Paperback
- 976 pages
- Great product!
From the Publisher
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
From the Inside Flap
HAMLET
One of the most famous plays of all time, the compelling tragedy of the young prince of Denmark who must reconcile his longing for oblivion with his duty to avenge his father's murder is one of Shakespeare's greatest works. The ghost, Ophelia's death and burial, the play within a play, and the breathtaking swordplay are just some of the elements that make Hamlet a masterpiece of the theater.
OTHELLO
This great tragedy of unsurpassed intensity and emotion is
played out against Renaissance splendor. The doomed marriage
of Desdemona to the Moor Othello is the focus of a storm of tension, incited by the consummately evil villain Iago, that culminates in one of the most deeply moving scenes in theatrical history.
KING LEAR
Here is the famous and moving tragedy of a king who foolishly divides his kingdom between his two wicked daughters and estranges himself from the young daughter who loves him-a theatrical spectacle of outstanding proportions.
MACBETH
No dramatist has ever seen with more frightening clarity into the heart and mind of a murderer than has Shakespeare in this brilliant and bloody tragedy of evil. Taunted into asserting his "masculinity" by his ambitious wife, Macbeth chooses to embrace the Weird Sisters' prophecy and kill his king-and thus, seals his own doom.
Each Edition Includes:
- Comprehensive explanatory notes
- Vivid introductions and the most up-to-date scholarship
- Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
- Completely updated, detailed bibliographies and performance histories
- An interpretive essay on film adaptations of the play, alongwith an extensive filmography
About the Author
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Nothing special
By Nick Shanklin
Had to get it for a class.... Nothing great
10 of 10 people found the following review helpful.
Tragedy!
By FrKurt Messick
Hamlet
This play, of course, is perhaps the best known in all of English literature. Taking it's inspiration from lesser plays and tales of the same name, Shakespeare crafted the characters, dialogue and plot into a timeless tale of betrayal, the quest for justice, and ultimately a hollow victory. This play, in short, is a downer.
I will speak daggers to her, but use none.
Of course, it really thrilled the audiences, who, lacking the primetime violence of today, enjoyed seeing the blood, the gore, the violence, the swordplay. Those with a more subtle bent were very satisfied with the wonderful dialogues, full of double and self-reflexive meanings. So many of the monologues have become common parlance in our language.
A hit, a very palpable hit.
The 'on one foot' synopsis: Hamlet, prince of Denmark, is suspicious that his step-father killed his father and usurped the throne and his mother's bedchamber; he plots to get revenge; in the meantime his love-interest Ophelia dies; in a duel to the death at the end the mother dies, the step-father dies, the duel contender dies, and Hamlet dies. Something is rotten in the state of Denmark.
The rest is silence.
Othello
Rude I am in speech,
And little blessed with the soft phrase of peace
Surely Shakespeare was not speaking of himself here. Even his poorly-spoken characters cannot help to have an elegance and subtlety all their own. Othello is another tragedy, this one driven by jealousy. The exact cause of the jealousy can vary; Iago can be jealous of Othello, of his love for Desdemona, of Desdemona herself, or several other possibilities. The emphasis often lies in the performance, and Shakespeare's play is written broadly enough to allow for any of these to be correct interpretations.
But men are men; the best sometimes forget.
Othello satisfied the need for violence, for passion, and for intrigue. 'On one foot', Iago, servant and friend of Othello, who also hates Othello, plants the seeds of suspicion that Desdemona has been unfaithful, leading Othello down a treacherous path that leads in his ultimate murder of Desdemona.
Take note, take note, O world!
To be direct and honest is not safe.
During one performance in the American Old West, an audience member became so entranced and enraged with the actor's portrayal of Iago that he took out his pistol and shot him. The tombstone of the actor reads 'Here lies the greatest actor'.
Lear
The prince of darkness is a gentleman.
This most difficult of Shakespeare plays, both for performing and for studying, is one of the true masterpieces of English (or any) literature, and yet is underperformed and underappreciated due to the power of its complexity and of its tragedy. Indeed, often the tragedy at the end has been softened by having Cordelia survive victorious. Beware these kinds of performances--they not Shakespeare's intent, however much we wish.
Lear begins with folly, and ends in tragedy, while treachery and evil seems to creep like a vine choking off first this person, then that. The fool is the only wise one; the insane are the only protected, and the nobles increasingly lose nobility of intent and action as the events progress. Gloucester and Lear are both deceived by wicked children turned against their better offspring; all ends in tragedy for most of the lot.
Lear addresses sibling rivalries, parent/child relationships, poverty and insanity, and any number of other readily accessible issues, but all interwoven so tightly that they cannot be unravelled easily, yet all the while the world for the characters are unravelling thread by thread before our very eyes. Lear points out the folly of human planning and agency. Lear was banned from performance, actually, during 1788-1820 when George III was considered insane, and the connexion between stage and royalty would be too blurred for official comfort.
Howl, howl, howl, howl! O! you are men of stones!
Macbeth
The witches, the blood-stained hands, the play whose name must not be mentioned in a theatre lest bad luck befall the actor or production. Macbeth is all of these, and more. Loosely based upon a real historical character, the tragedy here is one of ambition.
Fair is foul, and foul is fair:
Hover through the fog and filthy air
Did Macbeth really see the ghost of Banquo at the banquet, or was it indigestion because of the haggis? Macbeth can be played with or without a conscience, which makes for differing character development, but both options are available in Shakespeare's flexible playwriting.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell
Macbeth is driven by his ambition, but also by the ambition of his wife, Lady Macbeth, as treacherous a villain in many respects as any male character in Shakespeare. Macbeth has an overgrown sense of invincibility, convinced by prophecies that his course will be successful, and ordinarily it is (until it all goes awry); it is a successful struggle to the throne, but never secure, and in the end, all is lost.
Macbeth may be the bloodiest of Shakespeare's plays, a thrill for Elizabethan audiences, and a wonder to behold as the scenes get ever more desperate and darker.
This edition
There are so many editions of Shakespeare available, and many have merits. This particular volume of the four major tragic plays provides commentary by David Bevington which is insightful and accessible; it also gives photographs of performances and stagings by the New York Shakespeare Festivals, modernised spelling and concordance listings of major passages. Not short by any means (nearly 1000 pages), this will nonetheless give a good study to the plays, with visual aids, and supportive material, all in one volume.
1 of 3 people found the following review helpful.
for shakespeare fans
By A Customer
this is a great book for shakespeare fans. it was the first time i read shakespeare outside of class, and it was very interesting. i didn't like the prefaces much, i didn't have the patience to read them. i felt they were very of long, and harder to read and understand than the actual shakespeare. they actual plays-not stories, just to clarify- are wonderful. it would be a great book to read if you are taking a literature class and want to get a head start or if you want to expand your vocabulary. you can even relate the problems of those times to the problems of today. the plays were very fun to read once you got into them; shakespeare is just as great as he is said to be.
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