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Dawn, by Elie Wiesel
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Two men wait through the night in British-controlled Palestine for dawn--and for death. One is a captured English officer. The other is Elisha, a young Israeli freedom fighter whose assignment is to kill the officer in reprisal for Britain's execution of a Jewish prisoner. Elisha's past is the nightmare memory of Nazi death camps. He is the only surviving member of his family. His future is a cherished dream of life in the promised homeland. But at daybreak his present will become the tortured reality of a principled man ordered to commit cold-blooded murder. Resonant with feeling, Dawn is an unforgettable journey into the human heart--and an eloquent statement about the moral basis of the new Israel."
- Sales Rank: #1131355 in Books
- Brand: Bantam
- Published on: 1982-09-01
- Released on: 1982-08-01
- Original language: English
- Number of items: 1
- Dimensions: 6.86" h x .30" w x 4.21" l,
- Binding: Mass Market Paperback
- 102 pages
- Great product!
Review
An illuminating document . . . the plight of traditional Jewish morality confronted with the modern world of power politics and of murder."--Maxwell Geismar
From the Publisher
"Two men wait through the night in British-controlled Palestine for dawn--and for death. One is a captured English officer. The other is Elisha, a young Israeli freedom fighter whose assignment is to kill the officer in reprisal for Britain's execution of a Jewish prisoner. Elisha's past is the nightmare memory of Nazi death camps. He is the only surviving member of his family. His future is a cherished dream of life in the promised homeland. But at daybreak his present will become the tortured reality of a principled man ordered to commit cold-blooded murder. Resonant with feeling, Dawn is an unforgettable journey into the human heart--and an eloquent statement about the moral basis of the new Israel.
"An illuminating document . . . the plight of traditional Jewish morality confronted with the modern world of power politics and of murder."--Maxwell Geismar
From the Inside Flap
Two men wait through the night in British-controlled Palestine for dawn--and for death. One is a captured English officer. The other is Elisha, a young Israeli freedom fighter whose assignment is to kill the officer in reprisal for Britain's execution of a Jewish prisoner. Elisha's past is the nightmare memory of Nazi death camps. He is the only surviving member of his family. His future is a cherished dream of life in the promised homeland. But at daybreak his present will become the tortured reality of a principled man ordered to commit cold-blooded murder. Resonant with feeling, Dawn is an unforgettable journey into the human heart--and an eloquent statement about the moral basis of the new Israel."
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Not Professor Know It All
Amazing author, everyone should read his books.
32 of 33 people found the following review helpful.
Not Night, But Excellent In Its Own Right
By Timothy Haugh
Elie Wiesel's Night is one of the most horrifying, moving accounts of the Holocaust experience that I have read. This book, Dawn, is sometimes referred to as a sequel to Night; however, I think that is misleading. Though readers of Night will see the influence of the author's concentration camp experience reflected in this book, Dawn is something very different.
The most obvious difference, of course, is that Night is nonfiction whereas Dawn is a novel. Dawn tells the story of Elisha, a Holocaust survivor, who is recruited to a terrorist group in Palestine that is trying to drive out the British in the years after World War II. After participating in a number of terrorist activities without remorse, Elisha is assigned to execute a prisoner in retaliation for the execution of one of his comrades. As he waits through the night for his task at dawn, Elisha struggle (literally) with his ghosts.
When faced with an author like Wiesel who has written a classic piece of nonfiction like Night, it is often difficult to judge his fiction fairly. The fiction doesn't seem to have the same impact. And though I, too, prefer Night, I found this book to be powerful in its own right. Dawn gives real insight into how people can be haunted and changed by an unfathomable trauma. In addition, it addresses real philosophical issues such as when does killing become murder and how does becoming a murderer change a person? Does suffering unto death justify a (some might say) disproportionate response?
In these post 9/11 days, I also found the insight into the terrorist mindset very interesting. The American revolutionaries and the Zionists were considered terrorists in their day much as the Palestinians and al Queda are today and, though there are obviously differences between all these groups, there are some attitudes that run through all who can find it in themselves to use terror tactics. It is fascinating to see words come from the mouths of these young Jewish partisans that would fit equally well in the mouths of Palestinians today.
All in all, Dawn is an excellent work: brief but powerful.
6 of 6 people found the following review helpful.
An unrecognized masterpiece
By Jason A. Beyer
While touted by the publisher as a sequel to his haunting memoir, *Night*, *Dawn* really povides us with a story that is powerful in its own right. *Dawn* deserves pride of place next to Simon Weisenthal's *The Sunflower* and Albert Camus' *The Plague* as one of the seminal masterpieces that deal with what may be the most pressing moral issue after the Holocaust--how are we to respond to the violence enacted by others?
While Camus addresses the question of response, and Weisenthal the possibility of forgiveness, Wiesel takes as his guiding question the behavior of the victim who becomes empowered. The main character is a Holocaust survivor that in the struggle for Isreali independence finds himelf in the position of no longer being the victim, but rather having the power to victimize. *Dawn*, brief as it is, serves as a powerful psychological exploration of this drastic change of roles. The goal of the work is straightforward--to raise in the mind of the readers the question of what *they* would do in the protagonist's position. Weisel's quasi-mystical elements add to this by invoking the significance of our connections to the past. A key concern on the protagonist's mind is how his decision to execute, or refrain from executing, a British soldier, is what this makes not only of himself, but of all those who in some way made him what he is. If he chooses to kill, does he make all of them killers as well?
Though fellow survivor Primo Levi claims not to care whether he is a potential killer, given that he was in fact not a killer but a victim, Wiesel is immensely interested in this question. It is a haunting question posed exceedingly well in this short, but surprisingly rich book. The questions this novel poses are ones that will not soon leave the reader's mind.
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