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Name your problem, and you name your possibility!  That's the message in Dr. Robert H. Schuller's new  bestseller, Tough Times Never Last, But  Tough People Do! Dr. Schuller shows you  how to build a positive self-image, no matter what  your problem. Whether it's unemployment, poor  health, loneliness, fear or anything  else that blocks your success, you can turn your  negative into a positive. No matter how tough  times get, you have the potential to achieve the best  of life. Through Dr. Schuller's dynamic  principles, you can learn:

* 4 ways to evaluate a  new idea * 10 commandments of possibility thinking  * 5 principles for putting problems in a proper  perspective * 18 principles of leadership * 5 phases  necessary for the faith to move mountains * 5 ways  to overcome a 'brownout' and prevent a burnout *  25 action words to get you started and never let  you quit

• Sales Rank: #182612 in Books
• Brand: Bantam
• Published on: 1984-06-01
• Released on: 1984-05-01
• Original language: English
• Number of items: 1
• Dimensions: 7.30" h x 1.10" w x 4.60" l, .29 pounds
• Binding: Mass Market Paperback
• 240 pages

Features

• Great product!

From the Publisher
Name your problem, and you name your possibility! That's the message in Dr. Robert H. Schuller's new bestseller, Tough Times Never Last, But Tough People Do! Dr. Schuller shows you how to build a positive self-image, no matter what your problem. Whether it's unemployment, poor health, loneliness, fear or anything else that blocks your success, you can turn your negative into a positive. No matter how tough times get, you have the potential to achieve the best of life. Through Dr. Schuller's dynamic principles, you can learn:

* 4 ways to evaluate a new idea * 10 commandments of possibility thinking * 5 principles for putting problems in a proper perspective * 18 principles of leadership * 5 phases necessary for the faith to move mountains * 5 ways to overcome a 'brownout' and prevent a burnout * 25 action words to get you started and never let you quit

From the Inside Flap
Name your problem, and you name your possibility! That's the message in Dr. Robert H. Schuller's new bestseller, "Tough Times Never Last, But Tough People Do! Dr. Schuller shows you how to build a positive self-image, no matter what your problem. Whether it's unemployment, poor health, loneliness, fear or "anything else that blocks your success, you can turn your negative into a positive. No matter how tough times get, you have the potential to achieve the best of life. Through Dr. Schuller's dynamic principles, you can learn:
* 4 ways to evaluate a new idea * 10 commandments of possibility thinking * 5 principles for putting problems in a proper perspective * 18 principles of leadership * 5 phases necessary for the faith to move mountains * 5 ways to overcome a 'brownout' and prevent a burnout * 25 action words to get you started and never let you quit

About the Author
Dr. Robert H. Schuller is the founder of the Crystal Cathedral in Garden Grove, California, a congregation he started fifty years ago from a drive-in movie theater. He is the host of Hour of Power, a weekly television show that, with over ten million viewers, has grown into the most watched religious program in the country. Dr. Schuller has written more than thirty books, including My Journey; If It's Going to Be, It's Up to Me; Prayer: My Soul's Adventure with God; Power Thoughts: Achieve Your True Potential Through Power Thinking; Tough Times Never Last, But Tough People Do!; The Be-Happy Attitudes; and Hours of Power.

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4 of 4 people found the following review helpful.
Practical, Focused and Useful
By Dr. Richard G. Petty
This is a book full of time tested techniques for dealing with adversity.

If he had written the book today, I think that he would have focused more on the development of resilience. That concept was in its infancy when he was writing, but in fact many of the practical methods in the book form basic biulding blocks of this important personal attribute.

Not just a book for people in trouble: it wasn't raining when Noah built the Ark!

12 of 14 people found the following review helpful.
The Tough Gets going when the Going gets Tough!
By Ilaxi S. Patel
No wonder Rober Schuller with his inner wisdom shares his thoughts to show you how to build a self image with positive thoughts and know the truth that after every storm, there is a calm! Every problem has a solution. Tough times never last..is a Gift giver to self and others. It's the attitude to get going when the going gets tough as you face the challenges in life and struggle to face obstacles that rob your mental or physical peace. I gave this book to my hubby during his worst trial period of life in his career and he came out with positive influence to be a sane and wise decision maker to start a business on his own and reach to heights of success today! There is always a twist n sharp turns in life and Rob's book with his dynamic principles in life makes you build positive self image and turn out to be a success. Life isn't a tempest nor a midsummer night's dream, But a comedy of erros, Take it As you Like it!!! A Spiritual Motivation - another bedside shelf book to peek-a-boo to boost your spirits. After all, tough times never last, tough people do!

23 of 24 people found the following review helpful.
THE book that changed my attitude about tough times.
By Andrea Rose
Robert Schuller's book "TOUGH TIMES NEVER LAST BUT TOUGH PEOPLE DO" gave me the insight to understand life and the knowledge that everyone goes through tough times at some point in their lives. The challange is how we deal with those times and how each one of us can take these difficult situations and turn them around into something miraculous. When you think you just can't take one more step and you read this book you will know that you can and as Dr. Schuller says, "inch by inch anything's a cinch!" If YOU are going through very tough times I strongly suggest you read this book so that you too can become a "possibility thinker" and turn YOUR "scars into stars"!

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> Download Ebook On Human Nature, by Edward O. Wilson

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No one who cares about the human future can afford to ignore Edward O. Wilson's book. On Human Nature begins a new phase in the most important intellectual controversy of this generation: Is human behavior controlled by the species' biological heritage? Does this heritage limit human destiny?

With characteristic pungency and simplicity of style, the author of Sociobiology challenges old prejudices and current misconceptions about the nature-nurture debate. He shows how...evolution has left its traces on the most distinctively human activities, how patterns of generosity, self-sacrifice, and worship, as well as sexuality and aggression, reveal their deep roots in the life histories of primate bands that hunted big game in the last Ice Age. His goal is nothing less than the completion of the Darwinian revolution by bringing biological thought into the center of the social sciences and the humanities.

Wilson presents a philosophy that cuts across the usual categories of conservative, liberal, or radical thought. In systematically applying the modern theory of natural selection to human society, he arrives at conclusions far removed from the social Darwinist legacy of the last century. Sociobiological theory, he shows, is compatible with a broadly humane and egalitarian outlook. Human diversity is to be treasured, not merely tolerated, he argues. Discrimination against ethnic groups, homosexuals, and women is based on a complete misunderstanding of biological fact.

But biological facts can never take the place of ethical choices. Once we understand our human nature, we must choose how "human" in the fullest, biological sense, we wish to remain. We cannot make this choice with the aid of external guides or absolute ethical principles because our very concept of right and wrong is wholly rooted in our own biological past. This paradox is fundamental to the evolution of consciousness in any species; there is no formula for escaping it. To understand its essence is to grasp the full predicament of the human condition.

• Sales Rank: #1808754 in Books
• Brand: Brand: Bantam
• Published on: 1982-11-01
• Released on: 1982-11-01
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback

Features

• Used Book in Good Condition

Review
A work of high intellectual daring...Here is an accomplished biologist explaining, in notably clear and unprevaricating language, what he thinks his subject now has to offer to the understanding of man and society...The implications of Wilson's thesis are rather considerable, for if true, no system of political, social, religious or ethical thought can afford to ignore it...Clarity, precision and boldness distinguish Wilson's attempt to complete the Darwinian revolution. -- Nicholas Wade "New Republic"

About the Author
Edward O. Wilson is Pellegrino University Professor at Harvard University. In addition to two Pulitzer Prizes (one of which he shares with Bert Hölldobler), Wilson has won many scientific awards, including the National Medal of Science and the Crafoord Prize of the Royal Swedish Academy of Sciences.

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298 of 311 people found the following review helpful.
Without euphemism
By Dennis Littrell
On reading this again after a couple of decades, I am struck with how brilliantly it is written. The subtlety and incisiveness of Wilson's prose is startling at times, and the sheer depth of his insight into human nature something close to breath-taking. I am also surprised at how well this holds up after twenty-three years. There is very little in Wilson's many acute observations that would need changing. Also, it is interesting to see, in retrospect, that it is this book and not his monumental, Sociobiology: The New Synthesis (1975), that continues to serve as an exemplar for later texts. For example, Paul Ehrlich's recent book on evolution was entitled On Human Natures (2000), the plural in the title demonstrating that it was written at least in part as a reaction to Wilson. I also note that some other works including Matt Ridley's The Red Queen: Sex and the Evolution of Human Nature.(1993), Robert Wright's The Moral Animal: Evolutionary Psychology and Everyday Life (1994), and most recently, Bobbi S. Low's Why Sex Matters: A Darwinian Look at Human Behavior (2000), are organized intellectually in such a manner as to directly update chapters in Wilson's book.

On Human Nature was written as a continuation of Sociobiology, greatly expanding the final chapter, "Man: From Sociobiology to Sociology." In doing so, Wilson has met with reaction from some quarters similar to the reaction the Victorians gave Darwin. Wilson's sociobiology was seen as a new rationale for the evils of eugenics and he was ostracized in the social science and humanities departments of colleges and universities throughout the United States and elsewhere. Rereading this book, I can see why. Wilson's primary "sin" is the unmitigated directness of his expression and his refusal to use the shield and obfuscation of politically correct language. Thus he writes on page 203, "In the pages of The New York Review of Books, Commentary, The New Republic, Daedalus, National Review, Saturday Review, and other literary journals[,] articles dominate that read as if most of basic science had halted during the nineteenth century." On page 207, he avers, "Luddites and anti-intellectuals do not master the differential equations of thermodynamics or the biochemical cures of illness. They stay in thatched huts and die young."

In the first instance, he has offended the intellectual establishment by pointing out their lack of education, and in the second his incisive expression sounds a bit elitist. But Wilson is not an elitist, nor is he the evil eugenic bad boy that some would have us believe. He is in fact a humanist and one of the world's most renowned scientists, a man who knows more about biology and evolution than most of his critics put together.

I want to quote a little from the book to demonstrate the incisive style and the penetrating nature of Wilson's ideas, and in so doing, perhaps hint at just what it is that his critics find objectionable. In the chapter on altruism, he writes, "The genius of human sociality is in fact the ease with which alliances are formed, broken, and reconstituted, always with strong emotional appeals to rules believed to be absolute" (p. 163). Or similarly on the next page, "It is exquisitely human to make spiritual commitments that are absolute to the very moment they are broken." Or, "The genes hold culture on a leash. The leash is very long, but inevitably values will be constrained in accordance with their effects on the human gene pool" (p. 167). He ends the chapter with the stark, Dawkinsian conclusion that "Morality has no other demonstrable ultimate function" than to keep intact the genetic material.

In the chapter on aggression, he posits, "The evolution of warfare was an autocatalytic reaction that could not be halted by any people, because to attempt to reverse the process unilaterally was to fall victim" (p. 116). On the next page, he quotes Abba Eban on the occasion of the 1967 Arab-Israeli war, "men use reason as a last resort."

In the chapter on religion, he argues that the ability of the individual to conform to the group dynamics of religion is in itself adaptive. As he avers on page 184, "When the gods are served, the Darwinian fitness of the members of the tribe is the ultimate if unrecognized beneficiary."

It is easy to see why some people might be offended at such a frank and penetrating expression. But one of the amazing things about Wilson is that he can be bluntly objective about humanity without being cynical. I have always found his works to be surprisingly optimistic. He has the ability to see human beings as animals, but as animals with their eyes on the stars. In the final chapter entitled, "Hope," Wilson presents his belief that our world will be improved as scientific materialism becomes the dominate mythology. Note well this point: Wilson considers scientific materialism, like religion and the macabre dance of Marxist-Leninism, to be a mythology. His point is that there is no final or transcending truth that we humans may discover; there is no body of knowledge or suite of disciplines that will lead us to absolute knowledge. There are only better ways of ordering the environment and of understanding our predicament. He believes that toward that end scientific materialism will be a clear improvement over the religious and political mythologies that now dominate our cultures.

No one interested in evolutionary psychology can afford to miss this book, even though it is twenty-three years old. It is a classic. Anyone interested in human nature (yes, one may profitably generalize about human nature, as long as one understands what a generalization is, and appreciates its limitations) should read this book, one of the most significant ever written on a subject of unparalleled importance.

--Dennis Littrell, author of "Understanding Evolution and Ourselves"

66 of 70 people found the following review helpful.
An important book, if a bit outdated nowadays...
By Martha C. Knox
An oldie but a goodie. Published in 1978, On Human Nature completes Wilson's self-declared "trilogy" (The Insect Societies, 1971, and Sociobiology: The New Synthesis, 1975) that proposes the scientific search for genetic explanations for social behavior in animals, including humans.

Then and now, Wilson has been criticized by both religious and atheistic folks for reducing human behavior to the cold and limiting science of genetics. However, I didn't read it that way at all. Over and Over Wilson emphasizes the complexity, and that these are merely tendencies that are indeed influenced by environment (nurture). Consider that men tend to be faster than women, but that a female Olympic runner will always beat the average man in a race.

Some people in my book club had difficulty with some of the science, but I didn't at all (partially due to a minor in anthropology, and a cultivated layman's interest in science), so I doubt the average skeptic would have difficulty reading and fully understanding this book.

While this book was rather groundbreaking when it first came out, further developments in evolutionary psychology make it look rather dated, as do passages like these:

"There is, I wish to suggest, a strong possibility that homosexuality is normal in a biological sense, that it is a distinctive beneficent behavior that evolved as an important element of early human social organization. Homosexuals may be the genetic carriers of some of mankind's rare altruistic impulses. The support for this radical hypothesis..."

Hmmm, not so radical these days. This one's even better:

"...note that it is already within our reach to build computers with the memory capacity of a human brain. Such an instrument is admittedly not very practical: it would occupy most of the space of the Empire State Building and draw down an amount of energy equal to half the output of the Grand Coulee Dam. In the 1980's, however, when new "bubble memory" elements already in the experimental stage are added, the computer might be shrunk to fill a suite of offices on one floor of the same building."

Tee hee hee.

But most of Wilson's book still have powerful and provacative messages for today's readers. The preface and first four chapters prove to be a bit of a slow setup, but the next four: "Aggression", "Sex", "Altruism", and "Religion" vividly suggest naturalistic explanations for moral and ethical tendencies in each of these areas. Wilson deals with all the juicy issues: racism, male-female roles, good-n-evil, etc. This is great stuff to memorize for debates with absolute moralists. The chapter on "Religion" is sort of a precursor to Daniel Dennet's new book Breaking the Spell. Although Wilson's ultimate conclusion is clear: no amount of naturalistic explaining of religious belief will stop people from believing. Here's a bold statement coming from a scientific humanist:

"The predisposition to religious belief is the most complex and powerful force in the human mind and in all probability an ineradicable part of human nature."

Wilson spends a good amount of time explaining and giving examples of an interesting concept called "hypertrophy" or as it is defined in the Glossary:

"The extreme development of a preexisting structure. The elephant's tusk, for example, represents the hypertophic enlargement and change in shape through evolution of a tooth that originally had an ordinary form. In this book it is suggested that most kinds of human social behavior are hypertrophic forms of original, simpler responses that were of more direct adaptive advantage in hunter-gatherer and primitively agricultural societies."

It is fascinating, to say the least, to read about the enslavement of women compared to an elephant's tusk (hypertrophy via genetic tendency plus extreme cultural exaggeration). Almost as cool as seeing human self-sacrifice compared with that of bees and wasps.

50 of 55 people found the following review helpful.
Boethius, Move Over: The Dawn of New Understanding
By D. S. Heersink
Let me add my econium for this wonderful book, which received the Pulitzer Prize for non-fiction, and is likely the best introduction into the emergent field of sociobiology (of which E. O. Wilson is progenitor).
The book is deftly, wittily, and elegantly written with great confidence and assuredness. The first half of the book introduces the reader to the promising field of evolutionary psychology, which, for the first time, promises to ground psychology on science rather than ideology. The book rings the death knell to Freud, Jung, pop-psychology, and other pie-in-the-sky notions that have mascaraded as a "human science."
The second half of the book addresses four of the most focal concerns of human nature: Aggression, sex, altruism, and religion, on the basis of sociobiology theory. The emergence of this endeavor begins with genes, evolution, and human enculturation, not with theories about infantilism, phallocentrism, and neuroticism. The topics are sufficiently covered in enough detail to keep the reader's interest and sustain the arguments, but with the intent of being introductory and accessible rather than sallying into the esoteric and academic.
The consequence is a wholly different orientation toward what is meant by "human nature." The concept is no longer the stuff of speculative metaphysics by armchair philosophers and psychologists, but a true science evolving out of the science of evolutionary theory and genetics. The implications are not quasi-scientific, but truly scientific. Humans do indeed have a "nature," and it is based on nature, not in the imaginations of wishful thinkers.
No one, not already exposed to sociobiology, will finish reading this book unaffected for the better. Wilson, the author of "Sociobiology," "Consilience," "The Future of Life," and other enjoyable works, will find a plethora of other authors and books flooding the market with scientific insights into man's true "human nature," including "The Adaptive Mind," "The Moral Animal," "Non-Zero," and "Unto Others."

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• Sales Rank: #4985916 in Books
• Brand: Brand: Loveswept
• Published on: 1988-12-01
• Released on: 1988-12-01
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 184 pages

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0 of 0 people found the following review helpful.
a fun read
By Cloggie Downunder
Rumor Has It is the first book of the Quaid Horses trilogy by popular American author, Tami Hoag. When gorgeous Yankee Nick Leone turns up in the Virginia town of Briarwood to open a restaurant, his past is a mystery and historic home restorer, Katie Quaid is sent to find out what she can. There is an immediate attraction between them, but both have secrets they are afraid will turn the other away. When the secrets revealed turn out to be no obstacle, Katie still manages to find a way to sabotage her own happiness. Luckily, Nick is persistent. Hoag's plot is original, her characters are appealing and the dialogue is realistic. Plenty of humour and some heartache make for a fun read.

3 of 10 people found the following review helpful.
Fun to Read
By A Customer
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!! Free Ebook The Last of the Mohicans (Bantam Classics), by James Fenimore Cooper

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The wild rush of action in this classic frontier adventure story has made The Last of the Mohicans the most popular of James Fenimore Cooper’s Leatherstocking Tales. Deep in the forests of upper New York State, the brave woodsman Hawkeye (Natty Bumppo) and his loyal Mohican friends Chingachgook and Uncas become embroiled in the bloody battles of the French and Indian War. The abduction of the beautiful Munro sisters by hostile savages, the treachery of the renegade brave Magua, the ambush of innocent settlers, and the thrilling events that lead to the final tragic confrontation between rival war parties create an unforgettable, spine-tingling picture of life on the frontier. And as the idyllic wilderness gives way to the forces of civilization, the novel presents a moving portrayal of a vanishing race and the end of its way of life in the great American forests.

• Sales Rank: #9975 in Books
• Brand: Bantam Classics
• Published on: 1982-06-01
• Released on: 1982-06-01
• Original language: English
• Number of items: 1
• Dimensions: 6.90" h x .90" w x 4.20" l, .44 pounds
• Binding: Mass Market Paperback
• 432 pages

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• Great product!

Review
"[Cooper's] sympathy is large, and his humor is as genuine—and as perfectly unaffected—as his art."— Joseph Conrad

From the Publisher
11 1.5-hour cassettes

From the Inside Flap
Illus. in black-and-white. This action-packed edition of James Fenimore Cooper's famous adventure brings the wilds of the American frontier and the drama of the French and Indian War to vivid life.

"From the Trade Paperback edition.

Most helpful customer reviews

98 of 106 people found the following review helpful.
a piece of history
By Kayo Smada
I thought that this was an excellent study of the European-Indian relationships and intertribal relationships among the Americam Indians. There are some gruesome scenes; I feel it is probably a fairly accurate account of practices at that time amongst those tribes. At times the narrative gets wordy because of the details of the history and traditions. I can't believe this book was taught in the 5-8 grades in this country 30 years ago. I don't think the majority of 12th graders could read this book with ease.

0 of 0 people found the following review helpful.
but so far I love it. The reason I am enjoying it so ...
By Michael C. Williams
This is actually a question not a review. Amazon forced me to rate the book so that I could post my question. I just bought the book and have barely started it, but so far I love it. The reason I am enjoying it so much, after just a few pages, is the language--much different than today's English. It's as good as Pride and Prejudice! (saying a lot for me). I am also enjoying the introduction, for the language, the information and for the highly outdated and amusing ideas and theories.
MY QUESTION: Who wrote this introduction, and more importantly, when was it written?
I am hoping that someone can answer this here.
Thanks!

2 of 2 people found the following review helpful.
A ripping good yarn!
By D. Roberts
Here is one of those books that is considered an American "classic" that few people have ever actually read. That is to say, fewer people than even the usual canon of classics. That's too bad, as this truly is an exceptional novel.
Cooper's overly-formal language that he invokes for the dialogue of his characters is likely to appear stilted to the modern reader. Also, the occasions of "conversation" that he shares with his readers is bound to seem a bit awkward. However, the epoch in which the author lived was far different than that of today. The style of this novel is somewhat foreign, but it is a style that Cooper inherited from Europeon novels of the period.
The narrative passages in the book are colorful and impressively descriptive. One cannot read this tale for long without getting the feeling that he / she is out in the forest (which is, of course, precisely the point). As a matter of fact, the novel has inspired me to someday visit the Hudson River, Lake George & some other key locales described in its pages.
One of the aspects of the story that surprised me was just how complicated the politics were between the Indian tribes. In truth, I knew very little about the Huron and Delaware tribes before I began reading. Since I finished the novel, I've found that Cooper's portrayal of the various races to be historically accurate. That's always a plus in any novel.
For those who would like to learn more about Indian history, this book is a must-read. As the definitive novel of the French & Indian war, the book would also be of interest to those who are intrigued by military history. In fact, one of the central scenes in the book details the horrifying massacre of the poor denizens of Fort William Henry, which is an actual historical event. Aside from these considerations, tho, it's just a good story - period.

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# Ebook Seneca (White Indian Series, Book IX), by Donald Clayton Porter

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Paperback.

• Sales Rank: #567004 in Books
• Published on: 1984-04-01
• Released on: 1984-03-01
• Original language: English
• Number of items: 1
• Dimensions: .80" h x 4.20" w x 6.80" l,
• Binding: Mass Market Paperback
• 295 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Seneca
By Pamela Littrell
This is a series of 28 books written about a tribe of indian's. The book deflects the life and hard time of the Indian's. In this book
this tribe fights against the "Seneca" tribe. The main character, Reno, is very strong, and skilled, and it shows his thinking on how to win the battle again their enemy the Seneca. The author, Donald Clayton Porter, writes so that you will feel you are right there in the camp with Reno and his family. Although, you can read a book out of sequence, to really get the full effect of the history and follow the geneology of this family of Indian's, start with book 1 and it will be well worth it, especially if you like 'western' type books.

2 of 3 people found the following review helpful.
used book in good condition
By PYmom
I received this used book in fairly good condition. The pages are a bit yellowed and some are dog eared, but none are falling out and the cover is still attached.

I like this author and the theme of the white indian series. I have not checked on the veracity of the details given about native american indian culture nor the if some of the characters are actual historical figures or purely fiction, but it seems honest and is quite interesting; a good mix of drama, action, romance, and history. If you like historical fiction, give it a try.

0 of 1 people found the following review helpful.
Seneca
By Doris Kieper
I read the whole series. Very good way to learn the
history of the West. It is sad to know how bad the
Indians were treated and how we took land that they
needed to live. But; the results look at our beautiful
cities. Time does go on.

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He left the West at the age of seventeen, leaving behind a rootless past and a bloody trail of violence. In the East he became one of the wealthiest financiers in America—and one of the most feared and hated.

Now, suffering from incurable cancer, he has come back to New Mexico to die alone. But when an all-out range war erupts, Flint chooses to help Nancy Kerrigan, a local rancher. A cold-eyed speculator is setting up the land swindle of a lifetime, and Buckdun, a notorious assassin, is there to back his play.

Flint alone can help Nancy save her ranch…with his cash, his connections—and his gun. He still has his legendary will to fight. All he needs is time, and that’s fast running out….

• Sales Rank: #93585 in Books
• Published on: 1985-02-01
• Released on: 1997-11-03
• Original language: English
• Number of items: 1
• Dimensions: 6.90" h x .70" w x 4.20" l,
• Binding: Mass Market Paperback
• 256 pages

From the Publisher
He came out of Malpais, the terrible volcanic badlands where nothing can live, riding a giant red stallion no other man could put a hand to. His boots were polished, his speech was gentle, but his guns were quick and smooth as silk. He shot first and talked later.

About the Author
Our foremost storyteller of the American West, Louis L’Amour has thrilled a nation by chronicling the adventures of the brave men and women who settled the frontier. There are more than 300 million copies of his books in print around the world.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


It is given to few people in this world to disappear twice but, as he had succeeded once, the man known as James T. Kettleman was about to make his second attempt.

If he did not succeed this time he would never know it, for he would be dead.

When a man has but a few months to live, he can, if he so wills, choose the manner of his going, and Kettleman had made such a choice. He was now on his way to a place of which he alone knew, and there he would die. He would die as he had lived—alone.

It was ironic that he who hated the West should return there to die, but like a wild animal which knows when death is upon it, he was seeking a dark and lonely place where he could die in peace, and in his own way.

At this moment no man in the railroad car looked stronger, more alive, more resolute, yet the seed of death was in him and the plant had but a little while to grow.

There were five people in the car. The lights were dim, the passengers lay sprawled in uncomfortable sleep. The train rushed westward through the cold, clear night, carrying the man steadily toward his final destination.

A very pretty young woman, who had got on at Santa Fe, sat a few seats ahead of him and across the aisle. Farther front, three men were seated, each traveling alone. Occasionally the conductor entered, accompanied by a blast of cold air. Several times he added fuel to the cast-iron stove.
People interested Kettleman only as prospective antagonists, and of the men in the car only one seemed likely to fit that category. He was a straw-haired man with a lean and dangerous look, like a wolf among sheep.

The girl was tall, gracefully slender, and her brown eyes had a way of looking directly at a man that was frank without boldness. Kettleman decided she was a girl who had been much around men, that she was used to them and liked them. Her name was Nancy Kerrigan. He overheard it when she was giving directions for packages to be placed in the baggage car.

The country outside was invisible. The windows had steamed over, and the train moved as if through an endless tunnel. To Kettleman it did not matter, for he knew every foot of this roadbed and the surrounding country from descriptions which had come to his desk in New York.

The high plain was broken at intervals with long ridges and outcroppings of lava, and in the mountains there was marketable timber. When he began planning his second disappearance, Kettleman had gone over all available reports and maps.

They were climbing steadily. Ahead were high mesas, more lava, and occasional ruins. Soon the train would slow for a long, steep grade. When that time came he would step off the train into the darkness.

His destination was familiar only from a description given him fifteen years ago, over a campfire, by a man who had often used the place for a hideout. When he left the train he would return to the oblivion from which he had emerged fifteen years earlier.

Then James T. Kettleman would cease to exist—although actually he had ceased to exist a few days ago, in Virginia. For the few weeks that remained to him he would be nameless once more.

To disappear the first time had been relatively easy for the lanky, seventeen-year-old youngster he was then.

No one noticed him when he came into the saloon at The Crossing that night with Flint. It was not until the brief silence that followed the blasting of guns that their attention was drawn to him by the cocking of his gun.

The men who killed Flint had scarcely seen the boy until that moment, but, within the space of five seconds, five of them were shot dead and two were dying. Two more were wounded, but would live to carry the memory of that shocking five seconds to their graves.

And in the darkness after the lights had been shot out, the boy had carried Flint from the room.
There was a doctor at an Army post twenty miles away, but they were never to make it.

Legend was born that night in Kansas, and the story of the massacre at The Crossing was told and retold over many a campfire. Neither the man at the card table nor the youngster who carried him away was known, and both vanished as if the earth had opened to receive them.

The events preceding the shooting provided only the information that two roughly dressed men had come in out of the night, and one bought chips in a poker game while the other dozed near the door.

This was the youngster who, upon that night, was to shoot himself into Western history.

The man at the table played a shrewd, intelligent game, and at the end of two hours he was winner by a small amount. The first indications of trouble came from the bar where a group of Texas trail drivers were drinking.

The trail drivers had noticed the stranger playing cards and, after some whispering among them, they had drifted over to gather around the table. Suddenly two of the trail hands grabbed the stranger's arms, and one of the others said, "This man is a hired killer." Then four of the trail drivers fired into his body.

In the instant of silence that followed the shooting they heard the click of a drawn-back gun hammer, and every head turned. "He was my friend," the youngster said, and he started shooting. Of the five killed in the first blast, four died from head shots, all fired in the split seconds before somebody shot out the lights. Of the two survivors, neither would talk, but one of the dying men had whispered, "Flint!" It was rumored that Flint was the name of an almost legendary killer who was occasionally hired by big cattle outfits or railroad companies.

The train whistled, the lonely sound trailing off across the wind-swept plains. Kettleman got out his pipe and lighted it. His two bags and haversack were at the back of the car. When he opened that door there would be a moment when the cold air might awaken the others, but he would be gone.

Up to a point he had planned every move, but once arrived at Flint's old hideout there would be nothing to do but wait. Some time ago his doctor told him he would not live a year, and most of that year had passed.

He sat in what was called a parlor car, because of its elaborate lamp fixtures and narrow strips of mirror between the windows. In one of these he glimpsed himself.

His face was lean and hard, triangular, with high cheekbones, green eyes, and a strong jaw. His sideburns were long in the fashion of the time, his hair dark brown and curly. In the light it showed a tinge of red. His skin was dark, his features, except for his eyes, normally without expression.
James T. Kettleman, financier and speculator, had often been called a handsome man. He had never been called a friendly one.

In the fifteen years since leaving Kansas he had not been west of the Appalachians until now.
There had been more than fifteen hundred dollars in Flint's pockets when he died on that rain-soaked Kansas hillside, following the shooting at The Crossing. The boy who was to become James T. Kettleman had sixty dollars of his own, which he used to buy an outfit of store clothes in Kansas City.

He traveled to New York and sold his four horses for an additional four hundred dollars. With this stake he started in business. It was more money than either Jay Gould or Russell Sage had started with.

The name Kettleman was a switch on "cattleman," a name invented for him by Flint when the boy entered school. He had never had a name of his own.

The train whistled and he got to his feet and stretched, the movement drawing the attention of the young woman. "It is some distance to Alamitos," she told him.

When he smiled his face lighted up. "It isn't the stations one has to worry about," he said, "it's the side tracks."

He caught her puzzled glance, and smiled again, strolling to the back of the car where he rubbed the steam from the window and looked out, seeing the scattered stars, and grass bending before the wind. On the edge of the embankment there was snow.

Nancy Kerrigan was disturbed by the comment, yet she thought of its truth. So many people became sidetracked and missed the things that were worthwhile. Maybe she herself was one of them. She glanced at the man again. He did not look like a Western man, yet he did. He was a striking man, but he looked lean and savage.

James T. Kettleman returned to his seat and sat down. Another ten minutes . . .
In the fifteen years following that night at The Crossing he had built his small stake to many millions, making many enemies and no friends in the process. He married a wife who tried to have him killed, and had no children.

Now he was stepping out of that life as he had stepped into it, leaving nothing behind that mattered. Nor would he take anything with him, not even a memory that he cared to keep.

Thirty years earlier, when he was two years old, he had been picked from the brush near a burned wagon train, where he had been overlooked by raiding Comanche’s. There were no other survivors. Nothing remained to tell who he was, and those who found him had no interest in learning. During the next four years he was handed around from family to family and finally abandoned on a cold night in a one-street Western town.

Kettleman walked to the rear of the car again, glancing back at the occupants. All were asleep, or apparently asleep. The train was slowing for the long climb. Lifting his bags through the rear door he closed it carefully behind him. The stars blinked coldly from an almost clear sky, the train whistled, the wind blew long across the high grass plains.

He threw his bags to the roadbed and put a leg over the rail, hesitating one brief instant to look back into the dimly lighted car. This was the end of everything and the beginning of nothing. He put the other leg over the rail and dropped to the roadbed.

He stood watching the red lights on the back of the train, which moved away, scarcely faster than a man could walk, until it rounded a curve and left no more than a humming of the rails to tell of its passing, and the long whistle of the locomotive echoing down the night sky.

The dry grass bent before the wind, and seed pods rattled in the brush along the right of way.
James T. Kettleman was ended, and the man who had borne that name, making it feared and respected, stood now where he had stood so many years before, without a name. He was now a man without a past as he had been a boy without one.

"Good-bye," he said, but there was nobody to say the word to, and nothing to remember.

Slinging the haversack over his shoulders, he retrieved the two bags and, climbing from the shallow cut where the track ran, he started off across the plain toward a high, comblike ridge, crested with trees.

A sharp pain struck him suddenly and he stopped abruptly, bending far over and retching violently.

He dropped to his knees, caught by a sudden weakness, and remained there, frightened at the agony. He had never known physical pain—although often hunger—and anything that robbed him of strength left him shaken, for his strength was all he had. Now, here at the end, he needed it desperately.

Later there would be more pain, but in the last days, his doctor had said, there would be less of it.

Among the pines he searched for and found a hollow protected from the wind. He broke twigs from the lower trunks of the trees and built a small fire. He found a deadfall which he dragged nearer to use for a wind-break. With a razor-sharp bowie knife, he cut limbs to hold the fire. He took a kettle from his gear and put on water for coffee. He changed into jeans, a wool shirt, and a sheepskin coat. He put on flat-heeled hiking boots and got out his two pistols, one of which he belted on.

The pistols were Smith & Wesson .44 Russians, and the best gun built. He thrust the second gun into his waistband. Out of the longer case he took a high-powered custom-made rifle and assembled it, then a shotgun.

He made a bed on pine boughs, spreading a thin ground sheet and blankets atop the boughs. He loaded the remaining clothing, food, and ammunition into the big haversack. With his gear packed, the load weighed over eighty pounds.

Then he warmed some soup and drank it, and the gnawing pain in his stomach subsided a little. He carried the two bags into the woods and buried them under some thick brush.
A
searching wind prowled the forest, far off a faint call sounded, and a shot. He listened, but the sound faded.

From a few yards off in the brush his fire was not visible, and he was pleased. He gathered more fuel, removed his boots, and crawled into his bed.

Every move of his disappearance had been carefully prepared. Fortunately he had dealt largely in cash and always kept large quantities of it available. Quietly he had transferred some funds, shifted stock from one company to another, and made arrangements to cover every need in case he should live longer than expected.

On a trip to his Virginia farm he had consulted an attorney in Baltimore, a former Supreme Court judge. Drawing up a will, he followed it with a carefully prepared document for the management of his affairs.

"I shall go away," he explained, "as I have learned I have but a short time to live. If, after seven years, I have not returned I will naturally be declared legally dead and my affairs can be settled."

"And if you die before that length of time?"

"I want nothing done until after seven years. As you will see, I have provided for my wife."

"For a man of your means," the judge suggested, "it is very little."

"This I have not mentioned to anyone, nor do I want it mentioned, but last week in Saratoga my wife tried to have me killed—my wife and her father. You will find the reports from the Pinkerton Agency and my own statement among the papers in my safe-deposit box."

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From rags to riches
By Danny L. Chandler
I loved how this book took a kid with no family and gave him somebody to care for him and give him the education to become rich and power and realize he was happier when life was simple !

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Flint
By Antonio Sandoval
Louis L'Amour always wrote in detail of the places he was describing. The characters were always real and the action was credible.

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Great story
By Scott Sneddon
Great story line. Well done in the tradition of the West. And those that tamed it. A true western man

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* Free Ebook The Phantom of the Opera (Bantam Classics), by Gaston Leroux

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Gaston Leroux is one of the originators of the detective story, and The Phantom of the Opera is his tour de force, as well as being the basis for the hit Broadway musical. A superb suspense story and a dark tale of obsession, The Phantom of the Opera has thrilled and entertained audiences in adaptations throughout the century.

This new translation—the first completely modern and Americanized translation—unfurls the full impact of this classic thriller for modern readers. It offers a more complete rendering of the terrifying figure who emerges from the depths of the glorious Paris Opera House to take us into the darkest regions of the human heart. After the breathtaking performance of the lovely Christine Daae and her sudden disappearance, the old legend of the “opera ghost” becomes a horrifying reality as the ghost strikes out with increasing frequency and violence—always with the young singer at the center of his powerful obsession. Leroux has created a masterwork of love and murder—and a tragic figure who awakens our deepest and most forbidden fears.

This is the only complete, unabridged modern Americanized translation available. Lowell Bair is the acclaimed translator of such Bantam Classics as Madame Bovary, Les Liaisons Dangereuses, and Candide.

• Sales Rank: #94968 in Books
• Brand: Bantam Classics
• Published on: 1990-01-01
• Released on: 1990-01-01
• Original language: French
• Number of items: 1
• Dimensions: 6.90" h x .80" w x 4.10" l, .37 pounds
• Binding: Mass Market Paperback
• 352 pages

Features

• Great product!

Review
“Ingenious . . . breathless suspense.”—The Nation

Language Notes
Text: English (translation)
Original Language: French

From the Publisher
The novel that inspired the Lon Chaney film and the hit musical. "The wildest and most fantastic of tales."--New York Times Book Review.

Most helpful customer reviews

229 of 235 people found the following review helpful.
The original Phantom
By Alysson Oliveira
Before the Andrew Lloyd Webber's musical, there was Gaston Leroux's original novel "The Phantom of the Opera". I have never seen the production stage, and I knew only a few things of the story, so when I reached the middle of the narrative I was surprised because it is totally different from what I expected. And it was a great surprise.

More than a love story, "The Phantom of the Opera" is a gothic tale of obsession --leading to madness. The Paris Opera House and its hidden rooms, and underground are perfect place to develop a horror story. Leroux noticed this potential. His descriptions of the place are creepy and in the end we start wondering if it is not a true story indeed.

Leroux was very smart, writing a novel like he was only reporting something --and not creating a work of fiction. Therefore there are police reports, newspapers' scraps, witness interviews. More than a narrator, the person who is telling the story is only gathering useful information for the reader.

His characters are real human beings --even the `ghost', than throughout the narrative we realize that he is the one with most human characteristics. Sometimes, Christine is a little stereotypical, mostly when she says she wants to be `the mistress of her faith' or something like it. And so is Raoul --but that doesn't diminish the qualities of this engaging novel.

All in all, this is a French classic that I highly recommend --however one must be patient because the narrative is a little confusing and slow sometimes, but never boring.

119 of 124 people found the following review helpful.
No one sees the angel
By EA Solinas
The mask, the music, the dark mysteries, and the tortured, deformed genius who just wants love. "The Phantom of the Opera" is so well known that its story needs no explanation.

But Gaston Leroux's novel is still a spellbinding experience, full of atmospheric horror, a sense of gothic mystery, and lushly evocative language. But its crown jewel is Erik: a magnificently tortured anti-hero who inspires more horror, pity and sympathy than the rather flat hero and heroine.

The Paris opera house is said to be haunted by a ghost with a "death's head," who demands a small salary and a reserved box. Despite the sightings and fears of ballerinas and stagehands, the new managers are determined to stamp out this ridiculous story -- despite threatening letters and increasing accidents that happen around them.

Meanwhile, budding diva Christine Daae is taking Paris by storm, although nobody quite knows who taught her how to sing. And when her childhood friend Viscount Raoul de Chagny pays her a visit, he hears a passionate exchange between her and a man -- but there's no man there. She credits her new vocal abilities to the Angel of Music, but of course, that self-same Angel is the opera ghost.

As the Phantom becomes even more attached to Christine, Raoul soon finds that the ghost is actually a half-mad, horribly deformed musical genius named Erik -- and that after Christine saw his true face, he made her become engaged to him. The young lovers plan to run away together, but the "Angel of Music" isn't about to allow his beloved Christine to leave him...

Apparently there actually were some odd events -- including rumours of an opera ghost -- happening when Gaston Leroux began writing "The Phantom of the Opera." And it's a credit to his imgination that he was able to spin a some odd facts into a harrowing, heartbreaking love triangle that's based on music, obsession, adoration, and a bit of pity. And, of course, a frighteningly sympathetic "villain."

Admittedly the style is very "penny dreadful": melodramatic and overloaded on prose. But Leroux's talent shines through -- he drapes the book in a haunted atmosphere, full of snowy graveyards, dark opera backstages and underground labyrinths, all with Erik's presence hovering over it. The plot is mostly a slow, satiny procession toward the inevitable blowup, but Leroux does tinge it with scenes of romantic drama, a feeling of dread, one shocking action scene, and even some quirky humour at times.

And Leroux's writing is simply astounding as he describes the corpselike appearance of Erik ("... tore his terrible dead flesh with my nails") and his "death's" head appearance at the party. But he also excels at the more poignant moments -- Erik's final, rambling monologue to Christine after she kisses him is heartbreakingly clumsy and saddening.

Though Christine and Raoul are the hero and heroine of the book, they're actually kind of flat. Erik is the real star -- an arrogant genius who is also pitifully lonely. And insane. Despite his crazed behavior -- which results in at least two deaths -- it's hard not to feel sympathy for someone cursed with such a ghastly appearance, and so starved for human contact that a single kiss changes his life ("... he tried to catch my eye, like a dog sitting by its master").

Despite being a bit overblown in the style of its time, "The Phantom of the Opera" is a triumph of atmosphere, horror, and one of the most memorably sympathetic "villains" that you can find on the shelves. Magnificent.

118 of 124 people found the following review helpful.
An Essential for any Phan...
By JR Pinto
This is the third translation of Gaston Leroux's The Phantom of the Opera that I have purchased, and I don't regret it. Most of us are familiar with the "official" translation - the one that is the tie-in for the musical (and countless other editions). Leonard Wolf gives us a newer and - as he feels - more faithful interpretation of the French text. (Sidenote: In the tie-in translation, the Phantom never refers to himself as the Phantom: only as the Opera Ghost, or O.G. In this version, he is always the more musical Phantom of the Opera.)

If you have not read Phantom yet, you may be a bit distracted by the voluminous footnotes. For the familiar reader however, the footnotes are the main reason to buy this edition. Wolf provides valuable insight into many areas of the text. He points out inconsistencies: Raoul goes from being 21 to 20. He provides commentary on the mythological allusions in the text.

Most valuable, he provides artistic commentary on the book. He shows how Phantom fits into Gothic conventions: the damsel-in-distress being menaced by a sexually threatening outsider, only to be rescued by a non-sexual aristocrat. But it is not quite that simple; Wolf shows that there are only two protagonists in the piece: Christine and Erik. He rightly shows Raoul for the foolish little sap that he is. He thinks that Leroux intended it to be that way, and that Christine has a much stronger bond with Erik than she does Raoul.

On the whole, I wish Wolf had written more. How about interpretive essays on the various adaptations, including the Lloyd Weber musical? He does include a lengthy introduction about the novel and Gaston Leroux himself. This volume is a must-have for any Phantom-enthusiast.

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