Jumat, 31 Oktober 2014

! Download Ebook The Early Childhood Years: The 2 to 6 Year Old, by Frank Caplan, Theresa Caplan

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The Early Childhood Years: The 2 to 6 Year Old, by Frank Caplan, Theresa Caplan

The Princeton Center for Infancy and Early Childhood. With growth charts and over 120 photographs.

  • Sales Rank: #549604 in Books
  • Published on: 1984-10-01
  • Released on: 1984-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x 1.16" w x 4.20" l, .55 pounds
  • Binding: Mass Market Paperback
  • 560 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Awesome book! Didn't finish reading it but I'm sure it's worth it!

0 of 0 people found the following review helpful.
Timeless and invaluable!
By Kindle Customer
This guide is indispensable, hard to find, and worth keeping to pass around and save for future generations. I have been
giving this series as gifts for many decades!

0 of 0 people found the following review helpful.
I originally purchased this book for my children in 1984 ...
By cac
I originally purchased this book for my children in 1984.
I am now purchasing this book for grandchildren. It is timeless.

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* Get Free Ebook WHO KILLED HARLOWE THROMBEY (Choose Your Own Adventure, No 9), by Edward Packard

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WHO KILLED HARLOWE THROMBEY (Choose Your Own Adventure, No 9), by Edward Packard

The reader, as a young detective, investigates a murder mystery. By choosing specific pages, the reader determines the outcome of the plot.

  • Sales Rank: #505490 in Books
  • Brand: Skylark
  • Published on: 1982-07-01
  • Released on: 1982-07-01
  • Original language: English
  • Dimensions: 7.09" h x .31" w x 4.72" l,
  • Binding: Paperback
  • 122 pages
Features
  • Great product!

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Charmaine Cimo
I love being able to to add this to my childhood collection.

4 of 4 people found the following review helpful.
Almost made me miss Miss Marple..
By P. Macpherson
Who Killed Harlowe Thrombey (Choose Your Own Adventure #9) by Edward Packard is about you, a young private investigator, being summoned by a wealthy plastics magnate who fears he's about to be murdered by his wife. After he falls dead at a small dinner engagement from drinking poisoned brandy it's up to you to find out who did it.

At first I was impressed by the lay-out of this book as there's very minimal jumping around but about halfway through the cracks began to show. The initial path I chose resulted in the narrator making deductions based on evidence I had never read. In fact my character solved the case bringing up evidence I had not read to explain situations (like characters being each others' alibi or character's accusing each other) I also hadn't read. The book solved itself. My initial choices managed to not even tell me when the poison was slipped into Thrombey's glass, which is the most important aspect of the case in figuring out the culprit. I wish this mystery had been laid out better, had let me solve it instead of doing it for me, and that there had been more suspects.

Another problem is after your initial reading there isn't much else here. If you're like me you enjoy exploring all of the possible avenues after the end of your first reading. But since neither the murderer nor the evidence changes and the mystery itself isn't very complex, there's very little to read other than finding out the same things in slightly different ways.

The art by Paul Granger is fine. It does it's job even if the narrator does indeed look like a 70's singer/game show host.

3 of 4 people found the following review helpful.
My first Choose Your Own Adventure book!
By Rachael Woodhouse
For me, this was the book that got me addicted at the age of 9! Edward Packard is a genius and one of my American heroes for inventing such an amazing literary genre! Who Killed Harlowe Thrombey? is a great mystery, full of suspense and interesting character development. It also stands out from the early CYOA books because it only contains 14 endings, thus making for a longer story.
This book was also one of the few selected to be published as a Grey Castle Press hardcover!

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Kamis, 30 Oktober 2014

** PDF Ebook Night Over the Solomons: Stories, by Louis L'Amour

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Night Over the Solomons: Stories, by Louis L'Amour

LOUIS L’AMOUR’S FIGHTERS IN THE SKY
 
They’re freelance pilots and full-time troubleshooters for democracy. They’re men like Steven Cowan, Mike Thorne, and Turk Madden who face danger every day of their lives and fight like tigers for what they believe in. With the world on the brink of war, they’re on the front lines or wherever there’s action. From the dangerous South Sea islands, to steaming South American jungles, to the islands of Japan, you’ll find these men ready to fight the enemies of freedom—in a battle to the death.

  • Sales Rank: #474698 in Books
  • Brand: L'Amour, Louis
  • Published on: 1986-12-01
  • Released on: 1997-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x .58" w x 4.18" l,
  • Binding: Paperback
  • 208 pages

From the Publisher
They're freelance pilots and full-time troubleshooters for democracy. They're men like Steven Cowan, Mike Thorne, and Turk Madden who face danger every day of their lives and fight like tigers for what they believe in. With the world on the brink of war, they're on the front lines, wherever there's action. From the dangerous South Seas islands, to steaming South American jungles, to the other islands of Japan, you'll find these man ready to fight the enemies of freedom--in a battle to the death.

From the Inside Flap
They're freelance pilots and full-time troubleshooters for democracy. They're men like Steven Cowan, Mike Thorne, and Turk Madden who face danger every day of their lives and fight like tigers for what they believe in. With the world on the brink of war, they're on the front lines, wherever there's action. From the dangerous South Seas islands, to steaming South American jungles, to the other islands of Japan, you'll find these man ready to fight the enemies of freedom--in a battle to the death.

About the Author
Our foremost storyteller of the authentic West, Louis L’Amour has thrilled a nation by chronicling the adventures of the brave men and women who settled the American frontier. There are more than 300 million copies of his books in print around the world.

Most helpful customer reviews

8 of 10 people found the following review helpful.
Great WWII adventure stories!
By A Customer
These stories feature cargo pilots and adventurers in the Pacific of World War II. Great stories.

1 of 1 people found the following review helpful.
Seeds of Indiana Jones
By Eric
Raiders of the Lost Ark was inspired by the pulp fiction of the 1930's and many of these stories are from that era. When Louis L'Amour first saw that movie he was very excited that the fight scene at the plane was from one of his stories. The ending of the story Pirates With Wings where the hero escapes in a float plane from a South American Jungle stream seems right from an Indy film. If you like old fashion action you can't go wrong here.

1 of 1 people found the following review helpful.
Great!
By Sylgal
If you love Lamour as a story teller, you will love ALL his books, short or long stories. This one is a collection of short stories, about war and a civil hero. Very lively style and as usual a page turner.

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Rabu, 29 Oktober 2014

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First published in 1913, Edith Wharton’s The Custom of the Country is a scathing novel of ambition featuring one of the most ruthless heroines in literature. Undine Spragg is as unscrupulous as she is magnetically beautiful. Her rise to the top of New York’s high society from the nouveau riche provides a provocative commentary on the upwardly mobile and the aspirations that eventually cause their ruin. One of Wharton’s most acclaimed works, The Custom of the Country is a stunning indictment of materialism and misplaced values that is as powerful today for its astute observations about greed and power as when it was written nearly a century ago.

  • Sales Rank: #285759 in Books
  • Published on: 1991-05-01
  • Released on: 1991-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x .81" w x 4.17" l, .43 pounds
  • Binding: Mass Market Paperback
  • 480 pages

Most helpful customer reviews

41 of 42 people found the following review helpful.
This is Wharton's Real Masterpiece
By F. L. Daugherty
This is Edith Wharton's real masterpiece. Before reading this novel recently (I'd hardly heard of it before), I'd read her much more famous "Age of Innocence" and "House of Mirth." I thought they were okay -- beautiful descriptive passages, brilliant flashes of psychological and political insight, but with boring characters and lame story lines. "The Custom of the Country" has all the fine qualities you expect to find in a good Wharton novel, but with an absolutely amazing protagonist -- Undine. "The Custom of the Country" is "Vanity Fair," with its much paler Becky Sharp, squared. This is what Thackeray would have written if he'd had a much keener and colder eye -- and a blacker sense of humor. This is now in my novelistic top ten -- along with (if you want to know some other books I like before taking my advice and buying/reading this): "Moby-Dick," "The Man Without Qualities," "Blood Meridian," "Remembrance of Things Past," and Burroughs' last major novel "The Western Lands."

0 of 0 people found the following review helpful.
It's a painful story for a man to read
By Edward C. Fisher
It's a painful story for a man to read. Cut too close to the bone I guess. When a story is so well written that it evokes emotions within me I know it is good work. I have it 4 stars since I wanted a different ending. Really it is a 5 star read, but dang, I'm still smarting.

2 of 3 people found the following review helpful.
Savage customs
By E. A Solinas
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.

Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.

And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.

Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.

But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.

Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.

The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.

"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.

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Sabtu, 25 Oktober 2014

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Moby-Dick (Bantam Classics), by Herman Melville

No American masterpiece casts quite as awesome a shadow as Melville's monumental Moby Dick.  Mad Captain Ahab's quest for the White Whale is a timeless epic--a stirring tragedy of vengeance and obsession, a searing parable about humanity lost in a universe of moral ambiguity.  It is the greatest sea story ever told.  Far ahead of its own time, Moby Dick was largely misunderstood and unappreciated by Melville's contemporaries.  Today, however, it is indisputably a classic.  As D.H. Lawrence wrote, Moby Dick "commands a stillness in the soul, an awe . . . [It is] one of the strangest and most wonderful books in the world."

  • Sales Rank: #78667 in Books
  • Brand: Melville, Herman
  • Published on: 1981-03-01
  • Released on: 1981-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.20" w x 4.20" l, .74 pounds
  • Binding: Mass Market Paperback
  • 704 pages
Features
  • Very Good Condition
  • Paperback with No Dust Jacket
  • 7 Inches Long; 4 1/4 Inches Wide; 1 Inch Thick
  • Copyright 1967; A Bantam Classic
  • Edited and with an introduction by Charles Child Walcutt

From School Library Journal
Grade 5 Up-Opening with the classic line, "Call me Ishmael," the narrator's New England accent adds a touch of authenticity to this sometimes melodramatic presentation. The St. Charles Players do a credible job on the major roles, but some of the group responses, such as "Aye, aye Captain," sound more comic than serious. This adaptation retains a good measure of Melville's dialogue and key passages which afford listeners a vivid connection with the lengthy novel. Background music and appropriate sound effects enhance the telling of the story about Captain Ahab's obsessive pursuit of the malevolent white whale. The cassettes are clearly marked, and running times are noted on each side of the tapes. Announcements at the beginning of each side and a subtle chime signal at the end make it easy to follow the story, but a stereo player must be used to hear some dialogue. The lightweight cardboard package is inadequate for circulation. Done in a radio theatre format, the recording does a nice job of introducing the deeper themes of the book and covering the major events. For school libraries that support an American literature curriculum, this recording offers a different interpretation of an enduring classic.
Barbara Wysocki, Cora J. Belden Library. Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.

From Library Journal
In a sense, this work is the piece de resistance of the textual revolution in American scholarship of the past generation. The first half is the final MLA "Approved Text" of the classic novel, prepared under the auspices of the Center for Editions of American Authors. The second half consists of an Historical Note detailing background, genetic composition, publication, and ensuing critical reception; a discussion of its textual history; and some relevant marginalia. The work is not only thorough and rigorous, but, considering the scholarly grittiness of the endeavor, surprisingly lucid and graceful in its exposition. Highly recommended for special collections. Earl Rovit, City Coll., CUNY
Copyright 1988 Reed Business Information, Inc.

Review
"Responsive to the shaping forces of his age as only men of passionate imagination are, even Melville can hardly have been fully aware of how symbolical an American hero he had fashioned in Ahab."
--F. O. Matthiessen


"From the Trade Paperback edition."

Most helpful customer reviews

54 of 58 people found the following review helpful.
Sponge Bob Meets Shakespeare
By Bruce Kimball
I'm an old man. And the sea is something I know nothing about. So call me ignorant. Still, nearly 60, I just read this book for the first time and it is unquestionably the best novel I have ever read, equal to any poem or drama. I believe you have to have lived a little and maybe even tried your hand at expressing yourself artistically to really appreciate this book. I don't think it's for young people - definitely not for most teenagers, and probably not for most college-level students, unless you want to discourage them. It almost makes arthritis worth while.

The latest volume of "Best American Poems" has a work by Thomas Lux, originally published in Five Points, called "Eyes Scooped Out and Replaced by Hot Coals". That is his proposed punishment for anyone who hasn't read Moby Dick by their mid-20's. While it's a clever and humerous way to make a point, this Pol Pot approach to literary education is viewed positively by many teachers and helps explain why so many people end up with a negative attitude towards a book of this stature.

Just consider the sea-nario: You are weary of the everyday world, and decide to sign-on with a whaling ship to get a little therapy. The ship's captain is a madman. That right there is enough. And consider the historical significance. Moby Dick was written right around the same time that science really began to explode, and we were entering the modern period of capitalism and capitalists (our new Ahabs). For the first time in human history, there were thousands of regular working people - some of them artists - who had literally traveled the entire globe on whalers and knew many parts of it well. These same conditions, of course, soon led to the demise - or rather the replacement - of whale oil for its traditional uses. So there was really only a brief moment in time when such a book could have been written. And it was, thank god. It is no coincidence that Moby Dick, published in 1851, was probably being written by Melville at the same time Marx and Engels were writing the Communist Manifesto. Both represent a similar landmark in human history.

What more can I say? I literally enjoyed every single page. I had readied myself to be bored by the cetology chapters, but wasn't in the least. And some critics note the variations in perspective and writing styles, but that didn't bother me at all - I scarcely noticed. For me, one of the personal highlights was when Melville describes the setting for the skeleton of a great sperm whale found on an island in Chapter 102, A BOWER IN THE ARSACIDES:

"Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver! --pause! --one word! -- whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver! --stay thy hand! -- but one single word with thee! Nay --the shuttle flies --the figures float from forth the loom; the freshet-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it"

By the way, this review is based on an old, worn copy of the book that I purchased at a sale. It's not based on any particular edition or publisher, and my review is focused exclusively on Melville's writing, not how the material is presented in print.

Please give it a chance.

49 of 52 people found the following review helpful.
BUYER BEWARE
By Matt
This book is TINY! It's actually even smaller than the product details state (3.5" wide, NOT 4.1"). I already ordered a bigger copy from a different publisher, and I'm considering trying to return this one. I'm just not sure if the hassle is worth the $10 I spent.

Why they would try to cram a 600+ page novel into a package this small is beyond me. It's an uncomfortable read to say the least. Also, the gold edges cause the pages to stick together. I made it through the first two chapters and gave up.

There are plenty of other editions on amazon. I'd recommend avoiding this one.

0 of 0 people found the following review helpful.
Journey like no other!!!
By Highest Intentions
(There are some spoilers here regarding the ultimate meaning of the book as a whole.)

Moby Dick is “not the book people think. It is not even the KIND of book people think. It is the most important and the least understood document in the human archive.” ~ Jed McKenna

Moby Dick is a delightful, smashingly entertaining yarn about… well, let me just start by saying that it is very well-written, has a good deal of humor, is more than adequately stocked with symbolism and metaphor, has plenty of philosophical sidebars and meanderings, is encyclopedic in its knowledge about and insights into the science and workings of the whaling industry, has its share of intrigue and bewilderment, is at times heart wrenching, has numerous religious and classical connotations and references, is awash with excitement and adventure, has a plethora of very well formed characters and… it is considered a literary masterpiece. What more could one ask for in a book? So what is it about?

“Truth has no confines.”

Moby Dick is an ornery and cantankerous giant sperm whale, a leviathan, which has, over the years, left a substantial trail of injuries, maimings, miseries, sufferings and, dare I say, annihilation in its wake – a horrendous rap sheet at best. The Pequod is a commercial whaling ship that is hired to sail the seven seas in search of high quality, large quantity whale oil to be sold once the ship successfully returns to port – it is a purely business venture for everyone involved or, rather, with the exception of…. Captain Ahab is the, also ornery and cantankerous, man hired to be sole commander and head honcho of the Pequod in this many years long pecuniary pursuit. Sounds rather straight forward, right? What could go wrong?

"It is not down in any map; true places never are."

Moby Dick is generally believed to be about the gradual decent into madness of Captain Ahab, thus resulting in his eventual monomaniacal quest for the aforesaid great leviathan, Moby Dick. Ahab’s crusade incorporates the entire crew of the Pequod who are, along with Ahab himself, ultimately sent to Davy Jones’ Locker or are they? That is the nearly universal consensus of the meaning of the book Moby Dick. But… is that really what is going on here? Does this interpretation even make sense?

“Methinks that what they call my shadow here on earth is my true substance. Methinks that in looking at things spiritual, we are too much like oysters observing the sun through the water, and thinking that thick water the thinnest of air.”

If Ahab is, in fact, just a crackpot out for revenge then this book, at least to me, would be kind of silly – crazy man convinces ship owners to hire him, coaxes crew into blindly following him to kill one particular whale for the sole purpose of revenge, all are ultimately destroyed… end of story. If this is the case, then who is the orphan who lives at the end of the book and who is Ishmael? There must be something more to this than meets the eye. Melville must have had a deeper, perhaps even more profound, purpose in mind for writing this very intense and precisely written novel.

“All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask!”

Moby Dick, in my opinion, goes way beyond the literal goings-on of this book to a much broader, deeper, more profoundly transcendental and mystical interpretation and understanding. If we look at Ahab as not crazy but sane, radically sane, then many of his otherwise baffling rantings and ravings start to make sense.

“Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way!”
His is a quest, a quest for truth and freedom, a monomaniacal quest and Moby Dick represents the delusion standing in the way of his goal.

“All that most maddens and torments; all that stirs up the lees of things; all truth with malice in it; all that cracks the sinews and cakes the brain; all the subtle demonisms of life and thought; all evil, to crazy Ahab, were visibly personified, and made practically assailable in Moby Dick. He piled upon the whale's white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart's shell upon it”.

Moby Dick, the whale, is a veil of delusion to be pierced – the white backdrop upon which everything that is not truth is projected - the mask behind which freedom is to be found. Ahab is locked in a prison of his own making and strives to break out, in fact, that’s his whole reason for being.

“If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall?”
This is the quest for ultimate truth and for finding this truth regardless of the cost and regardless of the outcome. This truth is spiritual enlightenment, the return to oneness, the transcendence of consciousness from the illusory confines of the ego and Ahab is powerless in its wake.
“But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I.”

Ahab is on a one directional voyage to finally pierce through the veil of illusion to get to the other side. He risks all for this. He incinerates all attachments and beliefs to return to absolute wholeness. In the end, he completely eviscerates his ego, annihilates himself and is Captain Ahab no more.

“The drama's done. Why then here does any one step forth? --Because one did survive the wreck.”

Moby Dick is tale of the spiritual journey of a man who ultimately gets the job done. Does Ahab die? Does it say anywhere in the book that he dies? Did he fail? No, Ahab does not die and he does not fail. He succeeds absolutely and the fact that he lives is proof of his accomplishment – but… he is no longer Ahab the man. He is… he has transcended the veil of illusions and is “in this world but not of it”. He has gone beyond and is one with the all and everything. He is a god unto himself. He is omnipotent, omniscient and omnipresent. He is…

“Call me Ishmael.”

Moby Dick is a wonderful book and I recommend it to everyone, because it has something for everyone. Don’t worry that you don’t understand all of the references and allusions, how could you, just read it and trust that your soul will understand all that it needs to and is ready to at the time of your reading it. Let it serve not as a toss away book , one to be read once and marked off your list, but as a book to return to as many times in your life as need be. Let it serve for you as a distant shore toward which you head throughout your life, a shore that represents peace and freedom, truth and beauty, shore that can be reached once the ocean of the universe has been completely traversed and the white whale of delusion has been seen through and destroyed. At that time, you can proudly say that the book Moby Dick has been understood in its entirety – but then, there won’t be anyone, be any ego, left to claim the victory because…

“It’s not about fictional Ahab and Ishmael but about the real man who make the real journey… Seen correctly, it’s the American Mahabharata.” ~ Jed McKenna

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>> PDF Ebook Magister Ludi, by Hermann Hesse

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Magister Ludi, by Hermann Hesse

New. May have shown remainder marks.

  • Sales Rank: #1383385 in Books
  • Published on: 1982-07
  • Number of items: 1
  • Binding: Mass Market Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By keith lilly
good

20 of 20 people found the following review helpful.
Unio Mystica as Ultimate Purpose
By OAKSHAMAN
_What is the Glass Bead Game? It is no less than the highest reason that an entire future civilization exists. It is the grand and ongoing synthesis of all knowledge into a unified, integrated whole (a Unio Mystica.) It is an attempt to forge a holographic intellectual world where all is interconnected and reflected in every part. This is a mission to weave the golden thread of significance and meaning through every part of a culture- science and the arts and the spiritual are all unified into a system of concentric, interpenetrating rings. All this is primarily accomplished by using the language of music and mathematics as common universal symbolism (the "glass beads" are part of a symbolic physical aid that was once used for this purpose.)

_It is no wonder that the book places the first origins of the game with Pythagoras, Gnostics, and Socratic ethics. No wonder that the League of Journeyers to the East also figure prominently in its development. To some extent the Game has been the goal of all sensitive and introspective individuals and groups down through the ages.

_All of this stands in stark contrast to our own Feuilletonistic Age where all knowledge, all culture, is unsynthesized, chaotic, and largely meaningless babble.

_The crisis that develops from this is that even if you accomplish this grand synthesis in some isolated ivory tower refuge of intellectual contemplatives- it isn't enough. It is necessary to reach out to the entire society once it is achieved in the same way that a bodhisattva attempts to enlighten the rest of mankind instead of individually passing onto Nirvana. The entire society must be made whole and sacred and not just an isolated elite. This is the realization that comes even to the Magister Ludi, the Master of the Game.

_For the game to be ultimately meaningful we have to coach everyone to eventually become Masters.

2 of 3 people found the following review helpful.
Hesse's
By Howard Ross
I just read this book and it was one of the best books I've ever read. The preface to my edition compared it to Thomas Mann's "Dr Faustus"(my favorite Mann)- which i found to be very true. I love Hesse but this is the only one of his books that was on the level of Mann for me. "Goldmund and Narcissus" and especially "Stepanwolf" also are excellent. Magister Ludi has a lot in common with the character Goldmund. This book has the intellectual incisive prose that I like so much in Mann - the mind and motivation are clearly written out, not just suggested.
The book follows the life of a great scholar from grade school to death. What distinguishes him is he has a great heart/sense of morality along with his genius. You follow his evolution as a person throughout the story. The story is set somewhere around 2500 AD but there's no indication that technology has advanced since the 1940's - or that life socially is much different...the emphasis is on the political situation as it relates to Knecht's scholarly order. Since the order is celebate like the 19C Oxford scholars there are no female characters of consequence - so you see a lot of male relationships in all different shades. Hesse lets you know as much about the game as he can and still do it justice...the game is supposed to be one of the supreme human achievements so he couldn't invent it fully fleshed out for the purposes of a novel. Magister Ludi is Joseph Knecht's title: he is Master of the Game. He's on the highest board which includes a Music Master and Master of Meditation. The climax of the book is a discussion Knecht has to have with the Master of Meditation/President of the Board of Educators to justify a momentous life changing decision he makes. I reread very few classics (I plan on rereading the major Mann and Doestoyevsky books) but this is one I would reread: it's beautiful. If you loved "Doctor Faustus" or "Goldmund and Narcissus you most likely love this one.

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Kamis, 23 Oktober 2014

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Main Street (Sinclair Lewis) (Bantam Classic), by Sinclair Lewis

The first of Sinclair Lewis’s great successes, Main Street shattered the sentimental American myth of happy small-town life with its satire of narrow-minded provincialism. Reflecting his own unhappy childhood in Sauk Centre, Minnesota, Lewis’s sixth novel attacked the conformity and dullness he saw in midwestern village life. Young college graduate Carol Milford moves from the city to tiny Gopher Prairie after marrying the local doctor, and tries to bring culture to the small town. But her efforts to reform the prairie village are met by a wall of gossip, greed, conventionality, pitifully unambitious cultural endeavors, and—worst of all—the pettiness and bigotry of small-town minds.

Lewis’s portrayal of a marriage torn by disillusionment and a woman forced into compromises is at once devastating social satire and persuasive realism. His subtle characterizations and intimate details of small-town America make Main Street a complex and compelling work and established Lewis as an important figure in twentieth-century American literature.

  • Sales Rank: #1794038 in Books
  • Brand: Lewis, Sinclair/ Dickstein, Morris (INT)
  • Published on: 1996-03-01
  • Released on: 1996-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.29" w x 4.23" l, .58 pounds
  • Binding: Mass Market Paperback
  • 521 pages

Review
Novel by Sinclair Lewis, published in 1920. The story of Main Street is seen through the eyes of Carol Kennicott, a young woman married to a Midwestern doctor who settles in the Minnesota town of Gopher Prairie (modeled on Lewis' hometown of Sauk Center). The power of the book derives from Lewis' careful rendering of local speech, customs, and social amenities. The satire is double-edged--directed against both the townspeople and the superficial intellectualism of those who despise them. (The Merriam-Webster Encyclopedia of Literature )

From the Publisher
This classic by Sinclair Lewis shattered the sentimental American myth of happy small-town life with its satire. Main Street attacks the conformity and dullness of early 20th Century midwestern village life in the story of Carol Milford, the city girl who marries the town doctor. Her efforts to bring culture to the prairie village are met by a wall of gossip, greed, and petty small-minded bigotry. Lewis's complex and compelling work established him as an important character in American literature.

From the Inside Flap
This classic by Sinclair Lewis shattered the sentimental American myth of happy small-town life with its satire. "Main Street attacks the conformity and dullness of early 20th Century midwestern village life in the story of Carol Milford, the city girl who marries the town doctor. Her efforts to bring culture to the prairie village are met by a wall of gossip, greed, and petty small-minded bigotry. Lewis's complex and compelling work established him as an important character in American literature.

Most helpful customer reviews

72 of 77 people found the following review helpful.
Fantastic
By A Customer
Advice for first time readers of Sinclair Lewis: Start with Main Street. I started with Babbitt, a worthy novel, but inferior to Main Street. They share a nimble, though often heavy handed touch of irony, and good characterization; and Mr. Lewis' trenchant social commantary is present in both.
We all know the story: Carol Kennicott (nee Milford), educated at tiny Blodgett College, wants action: She wants to travel and live in a big city where she can see plays and hobnob with intellectuals. She meets future husband Dr. Will Kennicott at a St. Paul dinner party; (Throughout the novel, her feelings toward Will oscillate between admiration for his efficient practice and good nature, and discomfort with his depthless character). Will coaxes Carol onto a train bound for the hamlet of Gopher Prairie, Minnesota. The bulk of the novel, which, considering the context, could be considered picaresque, consists of Carol's haphazard attempts to reform the obdurate, immobile mindsets of the citizens of her new home. Among the improvements Carol suggests are a library board composed of the well read men of the town, and a campaign to renew interest in reading (In a town where the great books are bypassed for the contemporary moralistic, optimistic, and religious authors), and a theater company containing one fine actor and a supporting cast of hams, who bungle through one play (the frivolous "Girl from Kankakee"; poor carol had Shaw or Sophocles in mind. Throughout the novel, Carol evinces a blinding fear of living as a stereotypic denizen of the American Main Street; her fears are intensified by the birth of her son another fetter that could prevent a night train escape from Gopher Prairie), and the loss of several friends (the most notable being Miles Bjornstam, a Swedish horse trader who leaves for Canada after his wife's death) Made desperate by the seeming ineffectuality of her reform efforts, and these fears of decline into a town matron, Carol runs off to Washington D.C. for a period, before returning half broken to Gopher Prairie, tractable while still picturing herself as a maverick.
A five star review does not preclude qualms over a piece of literature. Main Street is truly a marvelous book, but there are flaws. Irony peppered moderately in a story can lend life and humor; too much can overwhelm the reader with a sense that the author has no other crutch than easy, predictable amusement. Also, this being an episodic novel, there sometimes seems to be little tying the book together save for the overpowering contagion of yearning for excitement, reform, and freedom that leaves Carol and others in Gopher Prairie so disappointed. These should not be deterent enough to suggest you steer clear of Main Street, though. As with every marred but overall fantastic booke light breaks the dark for the reader willing to overlook flaws that, were he or she writing the novel, he or she couldn't have ironed out. As glorious a work of literature as it is an historical document, this is a delight for any serious or recreational reader.

46 of 48 people found the following review helpful.
Brilliant
By selffate
Sinclair Lewis decided to paint a picture of the difference between small town life, and urban sophistication by telling the story of a young educated city woman who marries a doctor and moves to a small town. Lewis was really just going to make a simple story about class differences and the isolation between folks, and throwing in some of his own experiences from growing up in small town Minnesota. What he ended up with was a brilliant book that when first published in the early 20's struck a huge chord with the American public and became a huge seller and cultural phenomenon.

Carol Kennicott moves to fictional 'Gopher Prairie' in hopes of changing the town to a place of great city-sophistication that she can revel in. Her mind is set on changing the townsfolk and its inhabitants ways which she finds aloof and backward. Without giving away too much of the plot (which others I am sure here have already discussed), she runs into townsfolk who share her idea, and many who are suspicious of her motives.

What Lewis shows in great passage and scenery (you can literally touch and feel every blade of prairie grass he describes) is that even though Carol's ambitions seem great, (particularly when confronting all the clique like prejudices that pervade the small town), her methods come off as pretty high-falouting and preposterous based on a great deal of misunderstanding. Nobody in the novel has the right method on how people should live, but somehow everyone manages to live within their own personal bubble. You want to cheer Carol on (or wait hoping she will fall on her face if you feel that way), but you at least understand and realize the mindset that plagues people who want to come in to your life-home-family-town can be an almost impossible barrier.

The novel is unbelievably timeless. Reading this now I couldn't believe how the similar parallel issues that exist in this story are still relevant right now. Issues of Blue State vs. Red State, and how America right now is so divided speak volumes about how much this book is so on target even after several decades after its initial publication.

This book is without question a snapshot of America, there are many "Gopher Prairies" and "Carol Kennicots" (and all the other townspeople who you have met at some point) out there, and that is the absolute brilliance of this book. And of course the book has an American setting, but the conflicts that happen in this book could be happening anywhere in the world in any country. The small town vs. big city fight is universal.

This is the greatest American novel I have ever read thus far bar none.

23 of 24 people found the following review helpful.
A Great Study of Americana
By A Customer
My first Sinclair Lewis book: I'm impressed. The character of Carol is just outstanding. She's a heroine with whom you're irritated just as often as you're admiring of her. A 3-D woman, what a treat! I like how her "idealism" and "culture" are at times embraced and just as often rejected, because I think she functions as a mirror for the reader. How often do you and I try to "change" those around us? How often do they truly need it? How often are we blind to what needs to be changed about us, even as we set out to "improve" everyone? It's partly a satire of the two characteristics of our pioneering American life: we have to conquer and remake everything over in our own image, and yet we resist those efforts coming from anyone or anywhere else. What group of people doesn't? It's less the small-town mentality as the mentality of people who have banded together and enjoy their life because of its homogeneity and safety. It's not only socioeconomic issues that keep minorities, the middle class, and the well-to-do in their own neighborhoods, it's the common bond between you and your neighbors: in you, I see myself. This book is just a great effort to make us see ourselves; whether or not we change seems to concern Lewis less than whether or not we're aware of our idiosyncrasies.

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Rabu, 22 Oktober 2014

!! Ebook Download The Man Called Noon: A Novel, by Louis L'Amour

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The Man Called Noon: A Novel, by Louis L'Amour

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The Man Called Noon: A Novel, by Louis L'Amour

In one swift moment, a fall wiped away his memory. All he knew for certain was that someone wanted him dead—and that he had better learn why. But everywhere he turned there seemed to be more questions—or people too willing to hide the truth behind a smoke screen of lies. He had only the name he had been told was his own, his mysterious skill with a gun, and a link to a half million dollars’ worth of buried gold as evidence of his past life. Was the treasure his? Was he a thief? A killer? He didn’t have the answers, but he needed them soon. Because what he still didn’t know about himself, others did—and if he didn’t unlock the secret of his past, he wasn’t going to have much of a future.

  • Sales Rank: #415782 in Books
  • Brand: Bantam
  • Published on: 1984-12-01
  • Released on: 1984-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .70" w x 4.20" l, .26 pounds
  • Binding: Mass Market Paperback
  • 240 pages
Features
  • Great product!

From the Inside Flap
In one swift moment, a fall wiped away his past. Now he was up and running for his life--into a tangle of lies and deceit. His memory lost, the man had only a name and a few clues. Where did his skill with a gun come from? What was the link between his past life and half a million dollars' worth of buried gold? He didn't have the answers, but he needed them soon. Because what he still didn't know about himself, others did--including the men who wanted him dead.

About the Author
Louis L’Amour is undoubtedly the bestselling frontier novelist of all time. He is the only American-born author in history to receive both the Presidential Medal of Freedom, and the Congressional Gold Medal in honor of his life's work. He has published ninety novels; twenty-seven short-story collections; two works of nonfiction; a memoir, Education of a Wandering Man; and a volume of poetry, Smoke from This Altar. There are more than 300 million copies of his books in print worldwide.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


SOMEBODY WANTED TO kill him.

The idea was in his mind when he opened his eyes to the darkness of a narrow space between two buildings. His eyes came to a focus on a rectangle of light on the wall of the building opposite, the light from a second-story window.

He had fallen from that window.

Lying perfectly still, he stared at the rectangle of light as if his life depended on it, yet an awareness was creeping into his consciousness that the window no longer mattered.

Only one thing mattered now-escape. He must get away, clear away, and as quickly as possible.

There was throbbing in his skull, the dull, heavy beat that was driving everything else from his brain. Impelled by what urge he could not guess, he lifted a hand toward his face. There was a twinge of pain from the arm, then he touched his face.

He did not know to whom the features belonged. Gingerly, he touched his skull . . . there was half-caked blood, and a deep wound in his scalp. His hand dropped to his shirt, which was stiffening with blood.

Somebody had tried to kill him, and he felt sure that they would try again, and would not cease trying until he was dead. Nothing else remained in his memory.

Stiffly, he turned his head, looking first one way and then the other. In the one direction there was blackness, in the other was light . . . a street.

He was conscious of a faint stirring from the darkness behind the buildings. Something or someone was creeping along in the blackness, some enemy intent upon his destruction.

Heaving himself from the ground, he half fell against the building behind him. He remained there for a moment, struggling to gather himself for an effort. For he must escape. He had to get away.

A hand went to his hip. There was a holster there, but it was empty. Dropping to his knees, he felt quickly around him, but discovered nothing. His gun, then, must be up there, in that room. It had fallen or had been taken from him before he fell from the window.

He started blindly toward the street. He could hear music from the building beside him, a murmur of voices, then muffled laughter.

Staggering into the light, he paused and stared stupidly to left and right. The street was empty. Drunken with pain and shock, he started across the street and into the shadows of a space between the buildings diagonally across from the one he had left behind.

He had no idea where he was going, only that he must get away; he must be free of the town. Beyond the buildings between which he walked there were scattered outhouses and corrals, and a few lightless shacks, and then he was walking in grass, tall grass.

Pausing, he glanced back. There was no pursuit, so why was he so sure there would be pursuit?

He went on, his brain numb with the pounding ache, until he saw before him a single red eye. Staring at it, he went ahead toward the red light. Suddenly he was beside it and his toe stumbled against the end of a railroad tie.

To his left the rails glimmered away into a vast darkness, on the right they led to a small railroad station. He had taken a stumbling step toward it when he brought up short, realizing his enemies would surely look for him there.

He stopped, swaying on his feet, trying to order his thoughts.

He did not know who he was. Or what he was.

His fingers felt of his clothing. The coat was tight across the shoulders and the sleeves were a bit short, but it seemed to be of good material.

He glanced back at the town, but beyond the fact that it was a very small town it told him nothing. There had been hitching rails along the street, a few cow ponies standing there. Hence it was a western town.

He had heard the whistle a second time before it dawned upon him that a train was coming, and he would, if he remained where he was, be caught in the full glare of the headlight. He dropped into the grass not an instant too soon as the train came rushing out of the night.

A train offered escape, and escape would give him a chance to consider, to sort out what must have happened, to discover who he was and why he was pursued.

When the train had passed and drawn up at the station, he studied it with care. There were at least three empty boxcars, their doors invitingly open. Yet as he considered his chances of getting into the nearest one he heard a rush of horses' hoofs and twisted about from where he lay in the grass to see a party of horsemen dash up to the train and split into two groups to ride along both sides, checking every car, every rod and bumper.

He eased back farther into the grass, but he could hear them talking as they drew near.

". . . a waste of time. He was in bad shape, with blood all over, and staggering. He could never have made it to the tracks, believe me. If he's not hid somewheres in town he's lyin' out yonder in the grass, bleedin' to death."

"He was a tough man for a tenderfoot."

"I ain't so sure he was-a tenderfoot, I mean. Ben Janish swore he'd got him, and did you ever know Ben to miss? That gent must have an iron skull!"

"Aw, he's dead, all right! Dead or dyin'."

They turned at the caboose and walked their horses back along the train. They were a dozen yards away when the whistle blew. Rising, he ran for the nearest empty car. A rider started to turn in his saddle, so he changed direction and leaped for the rear ladder and swung between the cars and out of sight.

He had a moment only until the cars would be moving, taking him right by the lights from the station, and he went up the ladder and lay down flat alongside the catwalk, throwing an arm across it to hang on.

The train bumped, started, bumped again, and gathered speed. Still he lay quiet, his heart pounding. Was somebody riding the caboose? Had he been seen from its windows?

The train whistled, the cars rattled over the rail ends and gathered speed. He pulled himself along, still lying flat, until he was right over the door of the empty car.

Did he dare try to hang over the edge, then swing into the door? If he fell he would fall free of the tracks, but could easily break a leg if not his neck. The train was now moving fast, the lights of the station had disappeared, and soon the brakeman would be coming along the catwalk, checking the train.

Easing along the roof of the car, he looked over. The door was there, open and inviting. He worked his body around, his fingers clinging to the cracks between the boards of the roof. He let one leg over, then the other, holding only by his fingertips. He lowered his body down, moved his hands one by one to a grip on the edge of the car roof, then swung his body in and let go.

He fell sprawling on the floor of the car, and for a moment he lay still, gasping for breath. After a long time he got up and staggered to the door. Leaning his shoulder against the car wall beside the door, he looked out into the night. There were stars, and the night was cool, the wind coming soft off the sagebrush.

He tried to think. Who was he? A fugitive from the law?

Or were those men who had tried to find him lawless men, wanting to kill him because of something he knew? Or because of something he possessed?

Sodden with weariness, he sat down and leaned against the wall, his body drained of strength, empty and sick. But he forced himself to think.

Ben Janish . . . he had one name, at least. Ben Janish had been sent to kill him, and Janish did not often miss. This implied that Janish was expert at the business, and might have killed before. They had spoken of him as a man with a reputation. Therefore it should not be too difficult to find Ben Janish, and find out who he himself was.

But if Ben Janish had been sent to kill him, he had been sent by whom?

They had said he was a tenderfoot, which implied he was new to the West. If this was the case, why had he come west? And where had he come from? Did he have a family? Was he married or single?

Well, he had the one clue. He must find out who Ben Janish was, and where he was.

He had no mirror, and therefore no knowledge of what he looked like. That he was tall was obvious, and by feeling his biceps he assured himself that he was an uncommonly strong man. Tenderfoot he might be, but he was no weakling.

He thrust his hands into his trousers pockets. One hand emerged with a small sack that proved to contain ten gold eagles and some odd coins. There was also a small but solid packet of greenbacks, but he did not take the time to count them.

The other pocket contained a strong clasp knife, a white handkerchief, a waterproof matchbox, a tight ball of rawhide string, and three keys on a key chain.

The side pockets of the coat contained nothing at all, but the inside pocket paid off with some kind of legal document and two letters.

The letters were addressed to Dean Cullane, El Paso, Texas. Was that who he was?

He spoke the name aloud, but it evoked no response in his memory.

It was too dark to do more than make out the addresses on the letters, and he returned them to his pocket to wait for a better light.

"Well, Dean Cullane, if that is who you are, for a man with so much money you certainly have a lousy tailor."

El Paso . . . he said the name but it meant nothing to him. However, it was his second lead. He would go to El Paso, go to the home of Dean Cullane and see if he was recognized there.

Yet . . . did he dare?

Somewhere along the tortured line of his thinking, he dozed off, but was awakened when a rough hand grasped his shoulder.

"Mister"-the voice was low but anxious-"don't you swing on me. I'm a friend, and by the looks of that crowd waiting up the street, you need a friend."

He was on his feet, shocked into clear-headedness. The train was still moving, lights flashed past the doors, and they were entering a town. "What is it?" he asked. "What's happening?"

"There's a big crowd up the street, mister, and they've got a rope. They're fixing to hang you."

"Hang me? Why?"

"Don't stand there asking questions! When we pass that water tank, you jump and run." The man pointed toward a dark, looming building. "There's a gap between that building and the corral. You can take it running. At the end of the corral there's bushes, and right past the corner of the corral there's a path goes through into the wash.

"You take off up that wash for the hills, and if you can run, you'd better. Don't leave the wash until you see a big boulder, kind of greenish color, if it's light enough to see. When you get to that boulder you do a hard right and go up the bank. There's a path . . . follow it."

The train was slowing now, and suddenly the man beside him dropped into the night, and was running. In an instant he had done the same. Even as he did so he wondered at the practiced ease with which he accomplished it. His memory might be gone, but the habit patterns in his muscles had not forgotten.

The water tank dripped into the dirt below, and there was a pleasant smell of dampness as he went past. He was aware briefly of the feel of cinders under his feet, the smell of coal smoke from the engine, and steam drifting back from the exhaust.

He saw the huge old barn, the corrals nearby, and he ran into the opening between, stretching his long legs and moving fast. The night was cool. He caught the fresh smell of hay and the smell of manure from the barns, and then he was past the corral.

Behind him men were shouting: "Search the train! Don't let him get away!"

He ducked into the black opening in the brush, was through it and into the sand of the wash. His running slowed because of the heavy going, but he plunged on until his heart was pounding so that it frightened him. He really slowed down then, walking and trotting. For a man who had been slugged on the head and who had been dead-tired a short time before, he seemed to have remarkable endurance.

He plodded on. The boulder loomed before him, and he turned and went up the bank. Almost at once he was on a path that ran parallel to the wash but a dozen feet above it, angling up the slope but under cover from the brush.

The trail dipped down to a small creek. He knelt and drank a little, and then as there seemed no other route he walked upstream in the water. He had gone no more than a quarter of a mile when a low call arrested him.

"Up here!"

He turned and went up into the rocks, where his unknown friend stood waiting.

Without a word the man turned and forced his way through a narrow crack in the rocks, followed a path for perhaps forty yards, and then ducked under some leaning boulders and into a small hollow among brush and huge rocks. He went through another crack and into a great cave formed by huge sandstone boulders that had fallen against each other.

A stack of firewood against one wall showed the place had been prepared, and there was a circle of stones and the blackened ashes and charcoal of old fires.

The stranger gathered sticks and commenced building a fire.

"Won't they smell the smoke?"

"Not much chance. Except the way we came, there's no way to get within half a mile of this place on horseback, and you know no cowhand is goin' to walk unless he's forced to. This hideout's been used forty years or more, and nobody the wiser."

From some unknown well of wisdom he said, "You just better hope no outlaw has turned lawman. It happens."

The man had his fire going. He stood up, brushing his hands on his jeans. "Could happen," he agreed. He looked curiously at his companion. "My name is Rimes, J. B. Rimes," he said.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Not my favorite.
By Sreveb
Not one of Louis L'Amour's better stories. The character has potential, but to little effort was put into the story line for me to be able to call it an interesting, or for that matter an enjoyable read.

0 of 0 people found the following review helpful.
... fifty pounds of gold through the desert with one pretty girl and one crazy girl in toe presents great ...
By jimmy c cranford
moving fifty pounds of gold through the desert with one pretty girl and one crazy girl in toe presents great challenges and excitement lots of desert lore too add interest.

0 of 0 people found the following review helpful.
A Great Book
By Bobby L. Stephens
Book was well written and very exciting. The characters, even the bad ones, were great. No part of the book was boring and I enjoyed every sentence.

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