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^ Ebook Free The Custom of the Country (Bantam Classics), by Edith Wharton

Ebook Free The Custom of the Country (Bantam Classics), by Edith Wharton

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The Custom of the Country (Bantam Classics), by Edith Wharton

The Custom of the Country (Bantam Classics), by Edith Wharton



The Custom of the Country (Bantam Classics), by Edith Wharton

Ebook Free The Custom of the Country (Bantam Classics), by Edith Wharton

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The Custom of the Country (Bantam Classics), by Edith Wharton

First published in 1913, Edith Wharton’s The Custom of the Country is a scathing novel of ambition featuring one of the most ruthless heroines in literature. Undine Spragg is as unscrupulous as she is magnetically beautiful. Her rise to the top of New York’s high society from the nouveau riche provides a provocative commentary on the upwardly mobile and the aspirations that eventually cause their ruin. One of Wharton’s most acclaimed works, The Custom of the Country is a stunning indictment of materialism and misplaced values that is as powerful today for its astute observations about greed and power as when it was written nearly a century ago.

  • Sales Rank: #285759 in Books
  • Published on: 1991-05-01
  • Released on: 1991-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x .81" w x 4.17" l, .43 pounds
  • Binding: Mass Market Paperback
  • 480 pages

Most helpful customer reviews

41 of 42 people found the following review helpful.
This is Wharton's Real Masterpiece
By F. L. Daugherty
This is Edith Wharton's real masterpiece. Before reading this novel recently (I'd hardly heard of it before), I'd read her much more famous "Age of Innocence" and "House of Mirth." I thought they were okay -- beautiful descriptive passages, brilliant flashes of psychological and political insight, but with boring characters and lame story lines. "The Custom of the Country" has all the fine qualities you expect to find in a good Wharton novel, but with an absolutely amazing protagonist -- Undine. "The Custom of the Country" is "Vanity Fair," with its much paler Becky Sharp, squared. This is what Thackeray would have written if he'd had a much keener and colder eye -- and a blacker sense of humor. This is now in my novelistic top ten -- along with (if you want to know some other books I like before taking my advice and buying/reading this): "Moby-Dick," "The Man Without Qualities," "Blood Meridian," "Remembrance of Things Past," and Burroughs' last major novel "The Western Lands."

0 of 0 people found the following review helpful.
It's a painful story for a man to read
By Edward C. Fisher
It's a painful story for a man to read. Cut too close to the bone I guess. When a story is so well written that it evokes emotions within me I know it is good work. I have it 4 stars since I wanted a different ending. Really it is a 5 star read, but dang, I'm still smarting.

2 of 3 people found the following review helpful.
Savage customs
By E. A Solinas
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.

Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.

And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.

Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.

But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.

Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.

The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.

"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.

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