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Notes From Underground, by Fyodor Dostoevsky
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"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. Notes From Underground, published in 1864, marks a tuming point in Dostoevsky's writing: it announces the moral political, and social ideas he will treat on a monumental scale in Crime And Punishment, The Idiot, and The Brothers Karamazov. And it remains to this day one of the most searingly honest and universal testaments to human despair ever penned.
“The political cataclysms and cultural revolutions of our century…confirm the status of Notes from Underground as one of the most sheerly astonishing and subversive creations of European fiction.”
–from the Introduction by Donald Fanger
- Sales Rank: #126686 in Books
- Brand: Bantam Classics
- Published on: 1983-11-01
- Released on: 1983-10-01
- Original language: English
- Number of items: 1
- Dimensions: 6.88" h x .33" w x 4.11" l, .44 pounds
- Binding: Paperback
- 134 pages
- Great product!
From the Publisher
"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. Notes From Underground, published in 1864, marks a turning point in Dostoevsky's writing: it announces the moral political, and social ideas he will treat on a monumental scale in Crime And Punishment, The Idiot, and The Brothers Karamazov
From the Inside Flap
"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. "Notes From Underground, published in 1864, marks a tuming point in Dostoevsky's writing: it announces the moral political, and social ideas he will treat on a monumental scale in "Crime And Punishment, "The Idiot, and "The Brothers Karamazov. And it remains to this day one of the most searingly honest and universal testaments to human despair ever penned.
"The political cataclysms and cultural revolutions of our century...confirm the status of "Notes from Underground as one of the most sheerly astonishing and subversive creations of European fiction."
-from the Introduction by Donald Fanger
About the Author
His life was as dark and dramatic as the great novels he wrote. He was born in Moscow in 1821, the son of a former army surgeon whose drunken brutality led his own serfs to murder him by pouring vodka down his throat until he strangled. A short first novel, Poor Folk (1846), brought him instant success, but his writing career was cut short by his arrest for alleged subversion against the Tsar in 1849. In prison he was given the "silent treatment" for eight months, before he was led in front of a firing squad. Dressed in a death shroud, he faced an open grave and awaited execution when an order arrived commuting his sentence. He then spent four years at hard labor in a Siberian prison, where he began to suffer from epilepsy, and he only returned to St. Petersburg a full ten years after he left in chains. His prison experiences coupled with his conversion to a conservative and profoundly religious philosophy formes the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoyevsky the emotional stability to complete Crime and Punishment, The Idiot, The Possessed, and The Brothers Karamazov. When he died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world.
Most helpful customer reviews
37 of 44 people found the following review helpful.
Notes from Underground
By Shane Fitzgerald
Fyodor Dostoevsky's "Notes from Underground" is an existential classic. This book, like many of Dostoevsky's works, intertwines the notions of literature and philosophy, probing the depths of aesthetic contemplation through philosophy. Dostoevsky, used this manuscript as a testing or training ground for later ideas he would explore in his groundbreaking and notorious books such as "Crime and Punishment,""Brothers Karamazov," and "the Idiot." Also central to the theme of the writing one will enciounter many notions of autonomy, or freedom of the individual. The main character, "the Underground man," performs many absurd actions, often in spite of his own self. However, this deals with the notion as Sartre later expressed, is it better for the individual to choose for him or herself and be wrongs sometimes or once in a while, then to have others choose for oneself? The protagonist, is continuously struggling, with himself and the existential burden of constructing and being soley responsible for ones own existence, for owns own counciousness. "Notes from Underground" is a magnificent, psychological exploration, into the mind of the individual, free, autonomous and choosing completley for oneself, which is anything but an easy matter.
5 of 5 people found the following review helpful.
A biped, ungrateful
By Aco
Let me be the million millionth reader to praise Dostoevsky's Notes from Underground. I finally opened this brilliant tale of a man's mental morass after having the Bantam Classic version on my shelf for years. Years! While another review or the many critical, scholarly examinations of this seminal work will better help you understand this story, I must stake my claim to it's effects on me, and the empathy and appreciation for the Underground man's-thusly Dostoevsky himself-boldness and passion, however anti-social, bitter and vulgar.
While the first part is more of an internal philosophical back-and-forth, finding the man debating the Laws of Nature and the propositions of Fate, the second finds him in action, risking himself against others, in a society of facades, abuses hurled upon abuses, indifference, and pained love.
It is a harrowing read, and taking a translation for what it is, namely a partial recreation of ideas and images true mainly to it's original language, the story is fluid and the attitude and feel of the dingy St. Petersburg apartment, restaurant and streets in which it takes place are vibrant enough for me to be still amazed at the brilliance of Dostoevsky's mind and skill, artistry and sense of the immortal nature of paradox within human existence.
This is a classic, and must be experienced.
5 of 5 people found the following review helpful.
Incredible
By A Customer
This is an amazing book. Really. A psychological study of a character you either hate or fear you're becoming(or perhaps cheer on, depending on your emotional makeup). NFU is part tragedy, part satire, part character study, part philosophical discussion, and part misanthrope's manifesto(if you identify with him, as I partially do, it opens up a whole new level of enjoyment).
PS: The version to get is, for once, the Bantam Classics version. That translation is incredible: "Two times two makes four is a brazen fop who bars your way with arms akimbo, spitting." What color! What life! This translation crackles with energy and cleverness.
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